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La radio reste le moyen le plus populaire pour découvrir de nouveaux artistes | Slate

La radio reste le moyen le plus populaire pour découvrir de nouveaux artistes | Slate | The music industry in the digital context | Scoop.it
Les services de musique payante en ligne comme Spotify, Deezer ou iTunes n'ont pas encore tué la radio. Selon une étude menée aux Etats-Unis par Edison Research et Triton Digital, la bonne vieille radio reste le moyen le plus utilisé pour découvrir de nouveaux artistes pour 75% des ...

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The music industry in the digital context
Initially articles used for my master thesis. Passionate about music and new technologies, I have continued gathering news about this subject :)
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Spotify fait le plein de nouveautés

Spotify fait le plein de nouveautés | The music industry in the digital context | Scoop.it
Quelques fonctionnalités qui vont prochainement différencier Spotify de ses concurrents.
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Combien les artistes gagnent-ils grâce au streaming ?

Combien les artistes gagnent-ils grâce au streaming ? | The music industry in the digital context | Scoop.it
Combien les artistes gagnent-ils grâce au streaming ? Une infographie complète répond à cette question épineuse des revenus des artistes...

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God_Schizo's curator insight, May 12, 6:50 AM

"Sur Rhapsody et Beats Music, 35 % des artistes signés atteignent le SMIC."

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Apple souhaite la fin du streaming musical gratuit

Apple souhaite la fin du streaming musical gratuit | The music industry in the digital context | Scoop.it
Plus le lancement de Beat, le service de streaming d’Apple, se rapproche et plus le géant américain montre des velléités contre les plateformes gratuites de streaming musical.
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Grooveshark ferme ses portes

Grooveshark ferme ses portes | The music industry in the digital context | Scoop.it
C'est fini pour Grooveshark. Le service de musique en ligne ferme ses portes, après plusieurs années de bataille judiciaire avec les maisons de disques. Les fondateurs de la
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En 2015, Spotify vaut 8,4 milliards de dollars (et que les autres se démerdent)

En 2015, Spotify vaut 8,4 milliards de dollars (et que les autres se démerdent) | The music industry in the digital context | Scoop.it
Tandis que la hype autour de Tidal fait un gros pschiiiit (le PDG s’est fait dégager, l’app n’est même pas dans le top 700 des téléchargements sur...

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Vinyl sales are still on the rise in 2015, fueling a revival that keeps pointing up

Vinyl sales are still on the rise in 2015, fueling a revival that keeps pointing up | The music industry in the digital context | Scoop.it
It looks like the vinyl resurgence isn’t going away any time soon. In fact, for 2015, it may be getting stronger. Vinyl album sales between January and March of this year were 53 percent higher than the first three months of 2014, according to a recent Nielsen report.

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Pierre Priot's curator insight, April 23, 6:42 AM

US Vinyl sales hit 9.2 million units in 2015 - highest figure in 20 years!

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Digital music revenue overtakes CD sales for the first time globally

Global revenue from music downloads and subscriptions has overtaken sales of physical formats for the first time. In 2014, digital revenue grew nearly 7 percent to $6.85 billion, while physical...
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Les ventes mondiales de musique numérique égalent les ventes ... - L'Express

Les ventes mondiales de musique numérique égalent les ventes ... - L'Express | The music industry in the digital context | Scoop.it
C'est une première: profitant de l'essor du streaming, les ventes mondiales de musique numérique ont égalé les ventes de CD et de vinyle en 2014. Et ce dans un contexte de stagnation du marché mondial de la musique enregistrée.

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Spotify : nouvelle levée de fonds

Spotify : nouvelle levée de fonds | The music industry in the digital context | Scoop.it
Le Wall Street Journal affirme que le service de musique en streaming, Spotify, effectue une nouvelle levée de fonds de 400 M$.

Dernièrement, la star Jay-Z présentait son service de musique en streaming, Tidal, accompagné de célébrités, dont...

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Music teenagers: 60% are streaming while 21% buy downloads

Music teenagers: 60% are streaming while 21% buy downloads | The music industry in the digital context | Scoop.it

Research firm GlobalWebIndex has been tapping its global panel of teenagers to find out what they’re doing online and how they’re getting their digital entertainment.

The results make for interesting reading, with a number of points about this age group’s music consumption. It’s based on a sample size of 4,849 16-19 year-olds – so “late teenagers” would be a more accurate term to describe them – in 32 countries.

Music findings? Music came top of the chart of “top interests” for the respondents, with 70% saying they are strongly interested in music – ahead of films (around 65%), science and technology (60%) and games (55%).

When asked what they’d done online in the last month, 60% said they’d listened to a streaming music service – more than used an instant messaging app (57%) despite the buzz around that category.

Note, 21% of these teenagers said they’d bought a music download in the last month, so this is very much the streaming generation. Yet when asked what digital entertainment services they used last month, 30% said Google Play, 21% Netflix, 20% iTunes, 13% SoundCloud and 11% Spotify.


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Universal, Warner, Sony and indies license 'WhatsApp for music' - Music Business Worldwide

Universal, Warner, Sony and indies license 'WhatsApp for music' - Music Business Worldwide | The music industry in the digital context | Scoop.it
£3.99-per-month service offers 7 million tracks to consumers

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What Jay Z's New Streaming Service Says About The Future of Music

What Jay Z's New Streaming Service Says About The Future of Music | The music industry in the digital context | Scoop.it
Contrary to popular belief, Jay Z is not the most influential man in music. With 19 Grammy Awards, 13 No. 1 albums, a spree of sold out tours, and an estimated net worth upward of $500 Million - Shawn Carter is unquestionably the most successful rapper in history. Yet, despite being [...]

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1983 - 2015 : Comment avons-nous écouté la musique | focuSur.fr

1983 - 2015 : Comment avons-nous écouté la musique | focuSur.fr | The music industry in the digital context | Scoop.it
Depuis le début des années 1980, notre façon d'écouter de la musique a énormément changé, tout comme nos habitudes. De nos jours, nous connaissons l'évolut
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This was Sony Music's contract with Spotify

Over the last year the music industry has been in flux as artists, labels, and streaming services jockey over the best way to build the future of their business. Taylor Swift pulled her catalog...
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Grooveshark has been cloned and its music is back online

Grooveshark has been cloned and its music is back online | The music industry in the digital context | Scoop.it
Grooveshark has come back online — but not officially. A clone of Grooveshark is now being hosted at Grooveshark.io (the original site was a .com), allowing visitors to keep streaming, downloading, and searching for music files, including the many, many copyrighted files that got the original site in trouble.

The cloned site's creator, who goes under the pseudonym Shark, claims to have started backing up Grooveshark after suspecting that it was about to go offline. Shark claims to have backed up 90 percent of Grooveshark's content and to have also assembled a team dedicated to bringing all of Grooveshark's features, including playlists and favorites, back online. "I was connected to Grooveshark a few years back and I have, together with the team I've gathered, the knowledge and the technological abilities to bring it back to life," Shark writes in an email to The Verge.

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Pierre Priot's curator insight, May 6, 5:40 AM

Grooveshark's ready to play hide and seek

Christopher Coleman's curator insight, May 6, 10:15 AM

"The Clone Wars have begun."

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C'est fini pour Grooveshark !

C'est fini pour Grooveshark ! | The music industry in the digital context | Scoop.it
La nouvelle vient de tomber, froide et brutale. Grooveshark a décidé de fermer boutique. Définitivement.
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Le streaming recompose l’industrie musicale

Le streaming recompose l’industrie musicale | The music industry in the digital context | Scoop.it

C'est une première : les revenus de la musique enregistrée proviennent désormais à parts égales des ventes numériques (46 %) et des ventes de disques (46 %).


Via Christophe Peckeu
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Amandine Viale's curator insight, April 22, 3:21 AM

Les revenus de la musique enregistrée proviennent désormais à parts égales des ventes numériques (46 %) et des ventes de disques (46 %).

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Streaming musical : deux leviers de croissance pour stimuler l'industrie du disque

Streaming musical : deux leviers de croissance pour stimuler l'industrie du disque | The music industry in the digital context | Scoop.it

En fédérant 78% des internautes français*, le streaming musical a assurément le vent en poupe.


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L'enjeu des métadonnées pour l'industrie musicale

L'enjeu des métadonnées pour l'industrie musicale | The music industry in the digital context | Scoop.it
Je l'évoquais déjà rapidement ici, les métadonnées constituent un enjeu crucial pour le secteur de la musique, à la fois économique mais aussi technique, politique et intellectuel. Petit point donc...

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Digital music report 2015 : le numérique fait jeu égal avec le physique

Digital music report 2015 : le numérique fait jeu égal avec le physique | The music industry in the digital context | Scoop.it
Pour la première fois dans l’histoire de la musique enregistrée, les revenus de la musique numérique et ceux des ventes physiques font jeu égal, annonce l’Ifpi, qui a publié mardi 14 avril le Digital Music Report 2015.
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CD Money vs. Streaming Money, 2004-2014.

CD Money vs. Streaming Money, 2004-2014. | The music industry in the digital context | Scoop.it
*source: Recording Industry Association of America (RIAA); all revenue inflation-adjusted to 2013.

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Musique : les ventes physiques et numériques font jeu égal pour la première fois | Belgium-iPhone

Musique : les ventes physiques et numériques font jeu égal pour la première fois | Belgium-iPhone | The music industry in the digital context | Scoop.it
C'est la première fois que les revenus de la musique proviennent autant du streaming que des ventes physiques.Le marché mondial de la musique enregi
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Qobuz trace encore sa route dans la musique en ligne

Qobuz trace encore sa route dans la musique en ligne | The music industry in the digital context | Scoop.it
A les voir aussi volontaires, ils semblent loin d’avoir perdu la foi. Yves Riesel et Alexandre Leforestier, les fondateurs de Qobuz – le...

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TEST - Tidal : que vaut le service de streaming musical de Jay-Z ?

TEST - Tidal : que vaut le service de streaming musical de Jay-Z ? | The music industry in the digital context | Scoop.it
C’est l’événement musical de ce printemps. Le rappeur américain Jay-Z a lancé ce 30 mars en grande pompe son service de streaming musical Tidal. Enfin, plutôt celui qui l’a racheté via le norvégien Aspiro en janvier dernier pour 56 millions de dollars. Tidal était déjà créé à l’époque, mais l’arrivée de Jay-Z à son capital (il en possédait 100 %, mais l’a depuis ouvert à ses amis superstars : sa femme Beyoncé, Jack White, Madonna ou encore Rihanna) a mis un coup d’accélérateur à son développemen

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Jay Z relaunches Tidal with music's biggest artists as his co-owners

Jay Z relaunches Tidal with music's biggest artists as his co-owners | The music industry in the digital context | Scoop.it
At a press conference in New York City this afternoon, Jay Z and a huge group of musical stars took the stage to officially relaunch TIDAL, the streaming music service he recently acquired as part of a $56 million deal. The rallying cry was a service that would "turn the tide" and restore the value to music by launching a service owned by artists. Coldplay, Rihanna, Daft Punk, Alicia Keys, Calvin Harris, Jack White, Madonna, Usher, Arcade Fire, Deadmau5, and Beyoncé joined Jay Z in the owners circle. He is reportedly offering millions of dollars and an equity stake to artists who join him.

Via Pierre Priot
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Pierre Priot's curator insight, March 30, 6:15 PM

Now we've got something new: a streaming service owned by artists (or at least artists who can afford to invest)