Most audiovisual work involves screens of some description and often those screens are at the back of a stage with a bank of audio equipment and wires set up in front of them.
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Most audiovisual work involves screens of some description and often those screens are at the back of a stage with a bank of audio equipment and wires set up in front of them. No comment yet.
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Landscape sound art, "Nature versus Synthetics" by Ronald Van Der Meijs,2008, Materials: welding, chrome bicycle bell caps | "The installation 'Nature' is a site specific composition from 5000 chrome bicycle bells that are swaying in the wind of the polder in a natural way, as a reed. Causing them to call each other in a rather subtle manner and cause a soft twinkling noise.
http://www.ronaldvandermeijs.nl/ Via Anne Bak
Minna Kilpeläinen's curator insight,
February 19, 7:37 PM
And here you can hear the sound. Relaxing. http://www.ronaldvandermeijs.nl/nature%20versus%20synthetics.mp3 Delete the scoop?
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David Cope and the Science of Algorithmic Composition Via M. Edward Borasky Delete the scoop?
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Deep Media is a blog about how narrative is changing in the Internet age. Ranked by Google among the top 50 blogs covering advertising and marketing, it is edited and primarily written by Frank Rose, author of The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories, published in 2011 by W.W. Norton & Co. The book has been featured in the Guardian and the Observer (London), La Stampa (Turin), and the Huffington Post, and it was hailed as "an essential overview" in the International Journal of Advertising.
Frank spent most of the past decade working as a contributing editor at Wired, writing for the magazine and for the Epicenter blog on such topics as the making of Avatar, Sony's enormous gamble on the PlayStation 3, Samsung and the rise of the Korean techno-state, and the posthumous career of Philip K. Dick in Hollywood. He has lectured at the Columbia Business School, the Columbia Journalism School, the Arthur L. Carter Journalism Institute at NYU, and the Annenberg School for Communications & Journalism at USC; given keynote talks at the likes of Social Media Week, ad:tech Sydney, and the Guardian's Changing Media Summit in London; and participated in debates about the future of media at South by Southwest, Ars Electronica, the Cannes Film Festival, MIT's Futures of Entertainment conference, and numerous other places. ... Via Jacques Urbanska Delete the scoop?
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I have to admit that being an electronic and experimental artist has allowed me a lot of creative freedom to explore a lot of musical territory... Delete the scoop?
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January 9, 3:02 AM
frequencies (a) is a sound performance combining the sound of mechanically triggered tuning forks with pure digital soundwaves. The performer is triggering sequences from the computer, activating solenoids that hits the tuning forks with high precision. Streams of light burst in synchronicity with the forks, creating a not-quite-minimal sound and light composition.
Via Jacques Urbanska Delete the scoop?
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..a MIDI orchestra from old photocopiers, scanners, fax machines, printers, hard drives, and modems and programmed it to play a classic Bob Dylan track... Delete the scoop?
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Reinventing the Wheel: Engineering arc2, Digital Instrument from monome Creator [Gallery, Interview]Engineering a production instrument is a kind of study in compromise. For mass-produced musical instruments, it’s a fusion of practicality and economics, made affordable by a mass-market supply chain... Delete the scoop?
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“ Laura Splan, from the series Doilies, 2004 “Doilies is a series of computerized machine embroidered doilies. The design of each doily is based on a different viral structure [SARS, HIV, Herpes... Delete the scoop?
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For years additive synthesis has been more of a theoretical animal than a practical form of synthesis. The reason? The amount of CPU power to make it happen. This has all changed and there are several additive synthesizers on the market now. Delete the scoop?
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From
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February 18, 5:50 AM
Hiroshi Kawano was among the very first in the world who experimented with a computer to generate visual works that could enter the domain of art. His pioneering position is exceptional insofar as he came to digital art from philosophy, i.e. neither from mathematics/engineering (like Nees, Noll, Nake) nor from fine art (like Csuri, Mohr, Molnar, Cohen).. Delete the scoop?
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Hertz Festival emphasizes and demonstrates prominent optico-acoustic works, by framing a potent arena of expressive Audio-Visual activity. Moreover, Hertz disseminates and transmits innovation in sound and digital arts by functioning as the absolute counterpoint to the embrace of new cultural and aesthetic techniques. Via Jacques Urbanska Delete the scoop?
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Moving objects | nº 804 is a new installation by Pe Lang, exploring the contrasts of order and chaos. In 804 cords are spun and pulled apart as the machine pans from left to right slowly revealing order on one side and chaos on the other. Delete the scoop?
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You’re probably kept awake at night wondering about the future of interaction design and user experience, tossing and turning as you ponder the interactive interfaces we’ll be engaging with in the world of tomorrow. Delete the scoop?
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The definition of a musical instrument has been in flux for the past decade or two, with the advent of technology allowing us to control sound in innovative new ways. Delete the scoop?
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gstefanou's insight:
The intricate and unpredictable world of particle physics is the subject for the sixth story in Energy Flow, a non-linear film project from FIELD. Beneath the surface of the matter that surrounds us lies a world of subatomic ferocity and seemingly boundless energy, a place of quantum fields and particle reactions... Delete the scoop?
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Microsoft’s Kinect has proven a compelling proof of concept for gestural control of music. But it could be just the beginning of mass-market gestural sensing technologies. The Leap Motion, like Kinect, promises to be affordable gear. Delete the scoop?
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Firewall is an interactive installation created by Aaron Sherwood and Mike Allison. A stretched sheet of spandex acts as a membrane interface sensitive to depth that people can push into and manipulate expressive visuals. Delete the scoop?
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It’s that time of the year when we slowly begin wrapping up the 2012. Before we say goodbye, take a short but well deserved break, lets take a quick moment to look back at some of the best and most memorable projects of 2012. Delete the scoop?
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This autumn Munich will be all about the creative combination of design, code and new technologies. push.conference unites designers and developers from all around the globe to join a series of talks on trending topics. Delete the scoop?
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A brief look at a short-lived American quarterly publication, which gives a little insight into the practice of art with computers in the 1970's. While a product of its time, there are some places with resonances to the practice of today. Delete the scoop?
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