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The Best-Kept Secret of Clichés: How to Upgrade Our Uses and Abolish Our Abuses of Language

The Best-Kept Secret of Clichés: How to Upgrade Our Uses and Abolish Our Abuses of Language | Screenwriting handbook. | Scoop.it
A manifesto against mindless language, or how to get off autopilot in the art of communication.

“Aphoristic thinking is impatient think
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SCRIPT SCREENPLAY FORMAT Screenwriting Basics LESSON SAMPLE Film School Online, FilmSchoolOnline.com, Online Film School, Lou LaVolpe, Louis La Volpe

SCRIPT SCREENPLAY FORMAT Screenwriting Basics LESSON SAMPLE Film School Online, FilmSchoolOnline.com, Online Film School, Lou LaVolpe, Louis La Volpe | Screenwriting handbook. | Scoop.it
Sample lesson on formatting a script
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5 Key Differences Between Spec and Shooting Scripts | Scriptwrecked — screenwriting tips for screenwriters

5 Key Differences Between Spec and Shooting Scripts | Scriptwrecked — screenwriting tips for screenwriters | Screenwriting handbook. | Scoop.it
Help, tips and discussion for aspiring screenwriters.
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Spec vs. Shooting Script | The Script Selling Game- 2nd edition: A Hollywood Insider's Look at Getting Your Script Sold and Produced Second Edition | Gotham Writers' Workshop

Spec vs. Shooting Script | The Script Selling Game- 2nd edition: A Hollywood Insider's Look at Getting Your Script Sold and Produced Second Edition | Gotham Writers' Workshop | Screenwriting handbook. | Scoop.it
| The+Script+Selling+Game-+2nd+edition%3A+A+Hollywood+Insider%27s+Look+at+Getting+Your+Script+Sold+and+Produced+Second+Edition
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Adapting Anthony Hecht's 'The Feast of Stephen' to Film | VICE United States

Adapting Anthony Hecht's 'The Feast of Stephen' to Film | VICE United States | Screenwriting handbook. | Scoop.it
Because my film adaptation of Cormac McCarthy’s book, Child of God, will be released this August, I thought I would publish a discussion I had on my previous attempts at transforming literatu…
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Courtney Pruitt's comment, June 15, 2014 4:49 PM
"Narration is a device that puts an additional mediating layer of interpretation between the audience and the characters/action. I wanted to deliver visceral films and connect the audience with the experience of the narratives, rather than telling them what the experience was. "