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Everything about Helvetica is repellant: from its uptight aura to its smug, splendid isolation. How it persists in the face of such brilliant alternatives as Frutiger and Syntax defies logic.
Here Smashing Magazine's Alastair Johnston explains, in great detail, why Helvitica (and it's Microsoft knockoff Arial) is a hard to read font matter what pretty pictures a designer tries to paint with it. See yesterday's post about the movie Helvitica for the PRAISE veiew;http://sco.lt/8UvgiP
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