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DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
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Sound artist - Steve Barsotti

Sound artist - Steve Barsotti | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

Steve Barsotti (2:10) Seattle Times. Steve Barsottiis a Seattle based improviser, sound artist, instrument inventor and educator. His work explores notions of reduced listening through close examinations of easily bypassed sonic details; sounds that can only be heard through contact microphones and amplification or the sonic qualities of materials and objects found in everyday life. He invites the listener to forgo an attempt at literal connections with the sounds and to focus on the sounds in and of themselves. Steve is chair of the Pacific Northwest Society for Acoustic Ecology.

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Punktierte Umgebung, Dyffort & von den Driesch

Punktierte Umgebung, Dyffort & von den Driesch | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Punktierte Umgebung

Parochialkirche (Außenraum), singuhr-hœrgalerie, Berlin 2001 / 2002, von 0 - 24 Uhr.

Lautsprecherboxen, 105 Piezo-Lautsprecher, 105 Relais, Computer
Ort: Environment around the Parochialkirche Berlin

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Punktierter Garten - Punktiertes Fragment,  Dyffort & von den Driesch

Punktierter Garten - Punktiertes Fragment,  Dyffort & von den Driesch | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
unktierter Garten-Punktiertes Fragment

Tafel-Garten at Hamburger Bahnhof-Museum by atelier le balto

Tuned City - Between sound and space speculation was an exhibition and conference project taking place from July 01.-05. 2008 in Berlin which proposed a new evaluation of architectural spaces from the perspective of the acoustic.

68 Piezo-Lautsprecher installiert am Mauerwerk des ehemaligen Hamburger Bahnhofs, Kabel, Computer, Computerprogramm
Ort: Tafel-Garten at Hamburger Bahnhof-Museum by atelier le balto

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20 Uhren - Dyffort & von den Driesch

20 Uhren - Dyffort & von den Driesch | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
20 Uhren

Landschaftspark Bärwalder See, Lausitz, Sachsen, täglich von 0.00 - 24.00 Uhr

transNATURLE, 5. Festival, Bärwalder See/ Lausitz, 2009

20 Steuereinheiten an 20 Bäumen, eine Steuereinheit besteht aus zwei Piezo-Lautsprecher, einem Akku, und einem selbst entwickelten Steuergerät.
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Into the White - MARK PETER WRIGHT

Into the White -  MARK PETER WRIGHT | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Recording the sound of snow is always a tricky business. The recent deluge (not so much here in London) has presented an opportunity to explore this delicate sound. So, I set up a hydrophone and be...
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Sea Level - Rudy Deceliere

Sea Level - Rudy Deceliere | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

656 haut-parleurs piezo, tiges acier, amplificateur, lecteur audio

Surmontées d'un piezo à l'horizontal, 656 tiges d'acier
peuplent un terrain en pente, offrant une vue vers la ville,
vers la plaine et leurs activités distantes.
La succession de ces points forme une série de lignes,
celles-ci suivant les courbes de niveau du terrain,
mètre par mètre.
L'espace sonore créé par l'ensemble des sources,
aussi subtile que vaste, restitue une composition minimaliste.

Le visiteur est invité à traverser l'espace, expérimenter
d'incalculables combinaisons entre le paysage sonore natif
du lieu et l'espace déployé par l'installation autant sonore que visuelle.

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Mogees - Gesture recognition with contact-microphones

In this video we show how it is possible to perform gesture recognition just with contact microphones and transform every surface into an interactive board.
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Mogees - Gesture recognition with contact-microphones

In this video we show how it is possible to perform gesture recognition just with contact microphones and transform every surface into an interactive board.
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Troisdorfer Uhrwerke, Dyffort & von den Driesch

Troisdorfer Uhrwerke, Dyffort & von den Driesch | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Troisdorfer Uhrwerke

Eine Klanginstallation für 5 Orte in Troisdorf: Neubaugebiet (Rotter See), Sonderdeponie Degussa GmbH (Spich), Einfahrt ehem. Dynamit Nobel-Werk und Hirschpark/Burg Wissem (Troisdorf-Mitte), Werktor der Mannstaedt Werke (Troisdorf-West), von 0 - 24 Uhr.

Ein Ausstellungsprojekt zur Kunst im öffentlichen Raum in 42 Städten NRWs, 2010

18 Steuereinheiten an 10 Bäumen, 7 Laternenpfähle und am Werktor der Mannstaedt Werke, eine Steuereinheit besteht aus zwei Piezo-Lautsprechern, einem Akku, und einem selbst entwickelten Steuergerät.

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Punktierter Umweg, Dyffort & von den Driesch

Punktierter Umweg, Dyffort & von den Driesch | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Jutta Park Höfgen, Internationales Festival Echo 2003, von 0 - 24 Uhr

45 Piezo-Lautsprechern an 45 Bäumen,45 Relais, Computer.

With their “Punktierter Umweg” (Dotted Detour) sound installation, Roswitha von den Driesch & Jens-Uwe Dyffort are continuing a series of outdoor works that delves into the subject of landscapes that change over time, in this case that of the Jutta Park in Höfgen. They work with quiet loudspeaker-specific clicking sounds that behave like echo sounders in the immediate surroundings.
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In der Schwebe - Deutscher Klangkunst Preis 2006, Dyffort & von den Driesch

In der Schwebe  - Deutscher Klangkunst Preis 2006, Dyffort & von den Driesch | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

In der Schwebe

German Sound Art Prize 2006 Skulpturenmuseum Glaskasten Marl, WDR

Under the city hall towers in the town of Marl.

56 Piezo-Lautsprecher, 56 Relais, Computer

»Dyffort and Driesch also had a reference to formal, architectonic, as well as social and political structures in mind when they developed the In der Schwebe project for the city hall towers in the town of Marl in 2006, for which they received the German Sound Art Prize. They used acoustic events to create or elucidate spatial and location-driven relations as well as balances of power.

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