DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
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DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
Environnement, paysages et arts sonores - Balades, installations, performances, écologie, web-art... Dégourdissez vous l'oreille !
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Soundscape ecology: eavesdropping on nature | Environment | DW.COM | 03.06.2016

Soundscape ecology: eavesdropping on nature | Environment | DW.COM | 03.06.2016 | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
German scientists in the new field of soundscape ecology are listening in on the animal kingdom using 300 microphones. The young discipline could shed light on the effects of climate change - and what it sounds like.
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Échos 2014

Échos 2014 | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
DUO ANNE-LAURE PIGACHE ET PASCAL THOLLET / AUTRENOIR / ROMAIN DE FERRON / TANZ MEIN HERZ / WATT / XAVIER CHARLES / YANNIS FRIER
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« Hearing Thinking Doing, Formes de visualisations sonores - Eléonore BAK - Sous la direction de Grégoire CHELKOF Mots-clefs Art, Architecture invisible, Géo-mimésis, Paysage Sonore, Posturolog...

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• Enquête sur des lieux de ritualisations culturelles de l’espace – soient-elles d’ordre public ou privé (églises, synagogues, places et cours, unités d’habitation) –
• Analyse de différents types d’aménagements sonores, (notamment les lieux pour la parole, les lieux pour le rassemblement ou encore les objets qui organisent la mémoire collective, des signatures ou métabolismes sonores telles par exemple les fontaines)

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Invisible Cities - Christian Marc Schmidt

By revealing the social networks present within the urban environment, Invisible Cities describes a new kind of city—a city of the mind. It displays geocoded activity from online services such as Twitter and Flickr, both in real-time and in aggregate. Real-time activity is represented as individual nodes that appear whenever a message or image is posted. Aggregate activity is reflected in the underlying terrain: over time, the landscape warps as data is accrued, creating hills and valleys representing areas with high and low densities of data.
Invisible Cities maps information from one realm—online social networks—to another: an immersive, three dimensional space. In doing so, the piece creates a parallel experience to the physical urban environment. The interplay between the aggregate and the real-time recreates the kind of dynamics present within the physical world, where the city is both a vessel for and a product of human activity. It is ultimately a parallel city of intersections, discovery, and memory, and a medium for experiencing the physical environment anew.


christianmarcschmidt.com/invisiblecities

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Why Landscape Music is More Important Than Ever

Why Landscape Music is More Important Than Ever | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
The potential for music as a catalyst for learning about nature has not yet been fully realized and may in fact depend on unconventional approaches and innovative thinking.
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Pierre Mariétan – Rose des Vents

Pierre Mariétan – Rose des Vents | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Composer, sound artist, sound ecologist and theorician Pierre Mariétan was born in Switzerland in 1935. He studied music in Basel’s Musikakademie with P. Boulez and K. Stockhausen (1961-1963)...
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