DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
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DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
Environnement, paysages et arts sonores - Balades, installations, performances, écologie, web-art... Dégourdissez vous l'oreille !
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Dr Leah Barclay and the Australian Rivers Institute | Recipient of the 2014 Synapse Residency Program

Dr Leah Barclay and the Australian Rivers Institute | Recipient of the 2014 Synapse Residency Program | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
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Maile Colbert

Maile Colbert | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Maile Colbert is a multi-media artist with a concentration on sound and video relocated from Los Angeles, US to Lisbon, Portugal. She holds a BFA in The Studio for Interrelated Media from Massachus...
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P h i l i p S a m a r t z i s

P h i l i p  S a m a r t z i s | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

P h i l i p S a m a r t z i s _ (www.microphonics.org)

Philip Samartzis is Coordinator of Sound in the School of Art - RMIT University, where he teaches courses in Sound Culture, and Immersive Environments within the fine art degree. Philip researches in the areas of sound art, acoustic ecology and sound spatialization, and is currently chief investigator on two Australia Research Council funded projects, Designing Sound for Health and Wellbeing; and Spatial Dialgoues: Public Art and Climate Change. His PhD, Surround Sound in Installation Art, examined the place of sound in contemporary art practice through a range of site determined sound art projects. In 2010 Philip was awarded fellowships by the Australia Council for the Arts, and the Australian Antarctic Division to document the effects of extreme climate and weather events on the human condition at Davis Station in Eastern Antarctica.

 

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Fieldrecording -20 slides in 20 seconds - Salomé Voegelin

Fieldrecording -20 slides in 20 seconds - Salomé Voegelin | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

My current field recording practice does not involve recording technology in the sense of a microphone and a recorder. It is not an act of recording and playback, but an act of listening and transcription. The listening is pretty lo-fi, simply my ears, the transcription happens on the computer, in the form of a blog that is written after the listening, sometimes quite a while after...

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Brandon LaBelle | Radio Memory

Brandon LaBelle | Radio Memory | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

Radio Memory

Radio intervenes and interrupts, bores and excites, tickling the ear while annoying the neighbors. Broadcast is an expansion of spatial circumference and a pulling in of multiple points of reception. Radio in this way is always unapologetically public and intensely private: it inaugurates communities at each instant of transmission while remaining forever alien to those who listen. It is trauma and therapy all in one — it is emitted sound and its acoustic mirror-reflection coming back to haunt us. It is money on the air and state control taking charge; it cashes in while offering up.

Inviting people to send in their “radio memories” — of songs overheard at special moments of their lives — led me to wonder: are such memories partially created by the songs themselves, rather than being strictly supplements to them? In what way does radio play a part in leaving marks on the psyche? And what may a catalogue of radio memories reveal about the musical-social landscape?

Cataloguing the 100 memories into ten playlists, these are broadcast through ten mobile structures. Acting as memory boxes, they distribute the songs to mingle and interrupt the festival and its visitors.

Exhibited at Archipel Festival, Geneva
March 10 - 20, 2005

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BUG Permanent sound acoustic by Mark Bain | Architect Lines

BUG Permanent sound acoustic by Mark Bain | Architect Lines | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
About a headphone jack in the facade of the fountain in the middle of road 9 can listen to the future inside the building.
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Le Cylindre Sonore

Le Cylindre Sonore | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
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