DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
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DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
Environnement, paysages et arts sonores - Balades, installations, performances, écologie, web-art... Dégourdissez vous l'oreille !
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What might Pluto sound like? Our musical love affair with the cosmos

What might Pluto sound like? Our musical love affair with the cosmos | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
From Twinkle Twinkle to Space Odyssey and beyond, humans have always turned to music to help deal with the profoundly confronting enormity of the cosmos. Is that a match made in the heavens?
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▶ CHORUS 1 - Andrew Williams

CHORUS consists of brief tones which sounds like a chorus of birds at daybreak created when electrons hit the Earth's atmosphere. This new audio composition ...
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Expositie in kuS Heerlen: SPACES AND SILENCES - Cilia Erens • 24 augustus t/m 1 september '13

Expositie in kuS Heerlen: SPACES AND SILENCES - Cilia Erens • 24 augustus t/m 1 september '13 | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
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Table of Contents: Sound, Space, and the City

Table of Contents: Sound, Space, and the City | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
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Dallas Simpson

Dallas Simpson | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

K based Dallas Simpson trained as a scientist, but has spent the last ten years involved with recording and performing binaural soundworks. He is a professional sound engineer, a self-taught environmental sound-artist and a pioneer of binaural sound art – sound-scapes recorded exactly as perceived by the human ear with in-ear microphones. The subject of each of his binaural recordings varies from natural surroundings to artificial environments. A concern with environmental conservation underpins much of Simpson’s work – he strives to invigorate our relationship with the environment to help us reconnect spiritually, emotionally and socially.

High quality, binaural recordings have the periphonic potency of a three-dimensional surround-sound experience when replayed on headphones, which Simpson uses to engage the listener in the experience of soundscape directed by Simpson himself. While recording, his movement through a location is pedestrian choreography – he creates a walking compositional arrangement of sounds in three-dimensional space with an unfolding narrative. The nature of the recordings allows Simpson’s experience to be transmitted to the listener with uncanny accuracy.

In addition to creating recorded soundscapes, Dallas Simpson performs live. He has appeared at the London College of Music with composer Chris Thorpe; in York with Linda Merrick; in Glasgow as part of the ‘Drift – Environmental Sound Art / Acoustic Ecology Project; and has performed with Max Eastley and Helmut Lemke at Creswell Craggs. Simpson has written about the performative aspects of his practice in depth in ‘The Art of Binaural Location Performance,’ which appeared in the UK Journal of Free Improvisation: Rubberneck, and was subsequently reproduced on the US website for free improvisation ‘The Improviser’.

Simpson has released several CDs including For Alderney on the and/OAR label in 2004, Sonic Bathing 1 on Farfield Records the same year, and A Meditation For Spring on Autumn Records in 2005. His work The Valley Of Crows appeared on the 2006 compilation Recorded In The Field By… on the German label Gruenrekorder. His pieces were selected for inclusion in sound art compilations curated by Colin Fellows of the John Moores Liverpool University (Hope, Trace and Zero), and two pieces have been released through Time Recording’s EMIT series, Abha (EMIT 2296) and Waterpump (EMIT 1197).

Simpson’s work was included in the ‘Music for Spaces’ composition series on BBC Radio 3, and has been frequently featured on London’s art radio station Resonance 104.4 FM.

 

http://www.dallasmasters.co.uk/dallas/home.shtml

 

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SOUNDART IN CITY SPACES_2009.flv

SOUND ART IN CITY SPACES (S.A.C.S.) _Erasmus Intensive Project 2009-11 _Selected as an "example of good practice" by the Italian Ministry of Education and Re...
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SOUND//SPACE

SOUND//SPACE | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
A pop-up record store and hub for creatives, makers and enthusiasts, instilling and celebrating the importance of independent publishing, self-releasing and the handmade.
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Antinode, sound sculpture - ASH COOPER

Antinode, sound sculpture - ASH COOPER | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

Antinode is an experimental large-scale sound sculpture – a passive acoustic resonator designed to explore the interactive relationship between sound and the listener through manipulation of dimensions, densities and space...

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Phase space » Sound as space, sound as language

Phase space » Sound as space, sound as language | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
john grzinich : sound + site + artistic research...

This workshop focused on sound as transmitter of nonverbal information, whether as a tool for communication or as a description of physical or imaginary space. We focused on sound’s ability to define/describe space, and on our ability to resonate, alter or create space by using sound. We also explored animal communication and group activity using simple everyday objects. A strong focus was placed on environmental listening, and the development of the ear towards detailed sonic perception. Using small acoustic objects and the space itself, we experimented with methods of group nonverbal sonic communication, with giving our location a voice, and with creating new spaces towards an understanding of sonic scenography. The workshop opened with an extended listening session, after which the participants worked through a series of sonic games and were asked to bring objects to use in the later stages. -patrick mcginley...

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Listening and Space

(2006) The essay applies three writings on vision or listening that explicitly or implicitly open one up onto the other: Don Ihde’s Listening and Voice; ‘The Element of Voluminousness’: Depth and Place Re-examined by Edward Casey; and Norman Bryson’s
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NASA Posts a Huge Library of Space Sounds, And You're Free To Use Them - Create Digital Music

NASA Posts a Huge Library of Space Sounds, And You're Free To Use Them - Create Digital Music | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Space is the place. Again. And SoundCloud is now a place you can find sounds from the US government space agency, NASA. In addition to the requisite vocal clips (“Houston, we’ve had a problem” and “The Eagle has landed”), you get a lot more. There are rocket sounds, the chirps of satellites and equipment, lightning … Continue →
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auroralchorus.com - Natural VLF Radio - Sounds of Space Weather - The Music of the Magnetosphere

auroralchorus.com - Natural VLF Radio - Sounds of Space Weather - The Music of the Magnetosphere | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
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