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DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE
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The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (Cultures of History) »

The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (Cultures of History) » | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (Cultures of History) English | ISBN 10: 0231138180 | PDF | 288 Pages | 16.2 Mb The Ethical Soundscape: Cassette Sermons
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Sonic geography in a nature region

Sonic geography in a nature region | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
(2005). Sonic geography in a nature region. Social & Cultural Geography: Vol. 6, No. 5, pp. 745-766.
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Davide Tidoni experiments with sound-space

Davide Tidoni experiments with sound-space | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

The soundscape coming from downstairs. In my childhood and early adolescence , my ears were constantly tuned to the spaces below my room. By listening to the soundscape beyond my walls I was able to understand the emotional atmosphere and tension level circulating among members of my family.

This sensitivity shaped my way of sensing the sonic space within the sphere of the family and, more generally, it led me to understand the production of sound as a key parameter for control of territory and the organization of social agency.

 

http://www.davidetidoni.name/

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Acoustic Territories: Sound Culture and Everyday Life

Acoustic Territories: Sound Culture and Everyday Life | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

Ce qui m'intéresse, c'est de prendre au sérieux la verve stimulante et enrichissante de la matérialité acoustique et les diverses expériences de phénomènes auditifs. Pour ce faire, j'espère suivre le son alors qu'il transmet des échanges chargés de signification pour le corps singulier, et au delà, la manière dont il inscrit ce corps dans un maillage social plus large. De mon point de vue, le son opère en tant que communauté émergente, tissant un lien entre des corps qui ne se recherchent pas nécessairement et les obligeant à se rapprocher.

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Invisible Cities - Christian Marc Schmidt

By revealing the social networks present within the urban environment, Invisible Cities describes a new kind of city—a city of the mind. It displays geocoded activity from online services such as Twitter and Flickr, both in real-time and in aggregate. Real-time activity is represented as individual nodes that appear whenever a message or image is posted. Aggregate activity is reflected in the underlying terrain: over time, the landscape warps as data is accrued, creating hills and valleys representing areas with high and low densities of data.
Invisible Cities maps information from one realm—online social networks—to another: an immersive, three dimensional space. In doing so, the piece creates a parallel experience to the physical urban environment. The interplay between the aggregate and the real-time recreates the kind of dynamics present within the physical world, where the city is both a vessel for and a product of human activity. It is ultimately a parallel city of intersections, discovery, and memory, and a medium for experiencing the physical environment anew.


christianmarcschmidt.com/invisiblecities

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Brandon LaBelle | The Accident

Brandon LaBelle | The Accident | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

The Accident

The legacy of modern theatre is punctuated with voices of social critique. From Brecht’s epic theatre to Boal’s theatre of the oppressed, the space of theatre is mobilized as a domain of political consciousness able to enact forms of transformation onto the social body. Through dialogue, dramaturgy, and performance, the present day can be subject to criticism, commentary or ritual alteration, marking theatre a zone of potentiality, and a space hovering between magic and realism.

Drawing upon this legacy, The Accident is a recorded dramatic work scripted as an exchange between the characters Bertolt Brecht, Arthur Miller, Antonin Artaud, and Augusto Boal who, having arrived in the city of Montreal, argue about what kind of play to stage. Questions of urbanism, locational politics, and public space are brought forward, to act as an echo to current regeneration plans for Griffintown. Installed as a four-channel sound installation in the midst of bushes and trash at an ugly and disused parking lot near the Bonaventure expressway, the work is left for two months as an invisible theatre to sound out on the peripheries of the city.

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JESSICA THOMPSON

JESSICA THOMPSON | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

Jessica Thompson is a Canadian new media artist whose projects investigate spatial and social conditions within urban environments through sound, performance, and mobile technologies. Her projects range from participatory artworks that generate sound through the body to networked performances and site-specific interventions.

 

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The Free Listening Project

The Free Listening Project | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

Free Listening Project provides listening in a place free from advice, cost, and gossip. The premise is simple we listen.

Started in January of 2009 the inspiration for Free Listening came after Mike was profoundly impacted by the power of listening. During a breakup conversation with a significant other Mike listened from the space of no agenda or motive.

 

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City as Music

City as Music | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it

The City as Music

The city is a living organism to which we choose to belong. It exists because coming together unleashes great economic, intellectual, social surplus, the whole is far greater than the sum of parts. We are intelligent, listening parts of the city, and the sound of the city includes the sound of us...

 

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Cécile Liège - Le Sonographe - productrice sonore à Cholet

Cécile Liège - Le Sonographe - productrice sonore à Cholet | DESARTSONNANTS - CRÉATION SONORE ET ENVIRONNEMENT - ENVIRONMENTAL SOUND ART - PAYSAGES ET ECOLOGIE SONORE | Scoop.it
Cécile Liège enregistre la vie sous toutes ses formes, réelles ou inventées. Documentaires, créations sonores pour des collectivités ou des musées, collecte de paroles, biographies sonores...
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