This is the Kruikantoor, a light-weight foam structure that was created by Tim Vinke, a Dutch designer. The name 'Kruikantoor' is actually a combination of two words ‘wheelbarrow’ and ‘office’, and like the name suggests, you can pick this workspace in a few seconds and easily move it to wherever you like.
One of the great things about medieval art and architecture is that people just went in and did things. They didn’t build models and scale them up, building great cathedrals and abbeys was a learning process as much as anything else. This means many of these apparently perfect aspirations to the Heavenly Jerusalem have some often quite comical mistakes, corrections and bodge-jobs that once you see, you can’t unnotice.
Many architects are inspired by nature, and some look to beehives to inform their designs—with hive-shaped buildings, honeycomb motifs, and undulating walls. When the bee-shaped aliens descend upon the Earth, we will have the proper accommodations.
D&AD has released the cover for its 2014 annual, designed by members of Australian performance and visual art collective, The Kingpins. The striking image was created by Técha Noble and Emma Price, two members of the experimental art quartet producing paintings, clothing, video, installations and performance art.
Photographer Richard Silver returns with an exciting ongoing project, ‘Time Sliced’. Silver wanted to capture iconic buildings at sunset, and to show its transition from day to night — all in a single image.
This week the first six oversized Lego bricks were laid for the foundation of the Lego House in Billund, Denmark, the Lego Group’s hometown. Designed by BIG-Bjarke Ingels Group, the architecture of the Lego House is based on — what else but? — the iconic shape of the Lego brick.
Since 2005, designer Nicholas Felton has been documenting his daily activities — meals eaten, miles traveled, people met — and publishing the results in the form of an annual report. He even built an app, Daytum, to help other people track their every moves.
Although his art would adorn one of his record releases from time to time, Miles Davis didn’t begin to draw and paint in earnest until he was in his mid-fifties, during the early 1980s and a period of musical inactivity.
When quickly sending an email, creating a company logo, or writing a post about mathematical typefaces, hundreds of thousands of fonts exist to help express a specific mood or feeling though we rarely escape the realm of a well-known few. Although it's well-documented that creating fonts can be an art, two mathematicians show that it can also be a science.