The concept of digital curation has evolved from its original use. While the digital preservation of artifacts is still the primary domain of digital curation, due to W eb 2.0/social media applications it has allowed anyone to easily create a topic centered library online to share with the world. Assets found online can now be quickly collated into a visually appealing web site using freely available tools. This descriptive paper explores the potential use of digital curation within three tertiary institutions.
Simon Staffans: "Let me take a moment and share some simple truths I’ve distilled from a number of years creating content for just about anything – print, radio, television, online, live events… you name it."
Excerpt from article written and curated by Master Curator Robin Good and published on MasterNewMedia: "Many such curation tools also appear to be very similar to one another, especially if evaluated exclusively from the type of news streams or visual collections that can be produced with them.
The most limiting factor of all, in making an effective selection when it comes to content curation tools is the lack of a proper evaluation framework, identifying the specific requirements and needs that need to be met by the content curation tool to be selected.
I am now publicly sharing this list of selection criteria, complemented by relevant questions to be asked when verifying the availability of these features to help both individuals, small organizations and companies evaluate better, and in a more systematic fashion, their ideal content curation toolset.
Here the features-list, organized into 21 groups. (*I have marked with HS those features relevant only to hosted content curation services.) 1. Import and Export functions 2. Content Organization 3. Clipping Abilities 4. Integrated Search 5. Content Monitoring - News Discovery 6. Filtering 7. Display formats 8. Arrangement 9. Navigation 10.Editing and Formatting 11.Ownership - HS 12.Collaboration - HS 13.Private Collections / Streams - HS 14.Intelligence - Memory 15.Crediting and Attribution 16.Preservation - Archiving 17.Distribution options 18.SEO - HS 19.Reach (for hosted curation platforms) - HS 20.Integrations - API - HS 21.Branding - White Label - Design Customization - HS..."
“As a content curator I want to go beyond mere filtering and collecting, I want to explain why something is striking to me, to put it in the context of the Scoop.it topic on networked learning as a whole, and even to take an explicit stance on some issue or other. For academic topics such as mine voicing such an opinion probably adds much value.” - Peter Sloep
Editor's Note: Maria Popova is the editor of Brain Pickings, a curation of "cross-disciplinary interestingness" that scours the world of the web and beyond for share-worthy tidbits. Here, she considers how new approaches to curation are changing the way we consume and share information. …
While some debate whether Google+ is a ghost town or not, the search giant's social network quietly passed the 1 Billion user mark. That's right: 1 Billion people have a Google+ account which is 2x Twitter's user base and only 15% less than Facebook's. Perhaps more importantly, the +1 button is pressed more than 5 million times a day and 340 million of its users are active. Scoopiteers didn’t need to wait for those metrics to be public to demand that we add Google+ to the Scoop.it’s sharing options: as our platform is a hub to discover, curate and share content to feed your online channels, it’s natural to offer as many distribution options as possible. So today, after integrating with Facebook profiles and pages, LinkedIn profiles, groups and pages, Twitter and many other social platform such as Wordpress or Tumblr, we’re excited to launch our integration with Google+ with 2 new features:
Adding Google+ Company pages as a sharing option to Scoop.it
Adding Google+ authorship to your Scoop.it profile Continue reading →
Every time I visit the Museum of Modern Art (MoMA) in New York City, I see something I’ve never seen before. In fact, t’s considered the most influential museum of modern art in the world. With that in mind, meet Klaus Biesenbach. Klaus holds the title “Chief Curator at Large” at MoMA. If you’ve visited the MoMA and walked away impressed (like I have), Klaus has a lot to do with that.
As content curators, we should all aspire to be like Klaus. After all, wouldn’t it be great if our content collections drew as much interest, respect and admiration as the collections at MoMA? In order to achieve this feat, we need to become highly effective content curators. In other words, we need to curate Internet content as we would fine art.
Let’s consider seven habits of content creation that would make Klaus Biesenbach proud. Continue reading →
Creating vs. curating. If you work in marketing, or maybe even if you don't, I'm sure you've been a witness to this content debate at one point or another. There are numerous arguments for each side, and ultimately, both are included in any successful content strategy.
The ideal mix between content curation and original content creation is a debate that I often find myself having with my colleagues and industry peers. So, in the spirit of Super Bowl XLVIII this weekend, I decided to ask the experts what they thought in a matchup that I've officially dubbed Content Super Bowl I. Continue reading →
If you are interested in finding out how to create your own digital e-book and discovering some of the problems I come across and some of the resources I find to overcome these problems, then you can follow my digital magazine on Flipboard, where I’ll be sharing some of the ups and downs and insights into the project.