If you’ve studied the craft of writing for long, you know about tension. I’m assuming you’ve got adequate conflict in your story, that your characters have inner and outer stakes that are deeply personal, and that your story keeps the resolution out of reach until the last chapter.
But there are more subtle ways to keep tension in your work as well. Sometimes all it takes is an added word or a deleted sentence.
Crutch gestures can sometimes get in the way of good writing. They come in all shapes and sizes–maybe an eye roll, a clenched stomach, curled fists or shrugs–cues we writers tend to overuse while trying to convey what our character … Continue reading →
One technique I teach in my Lost Your Pants? The Impatient Writer’s Guide to Plotting a Story workshop is to figure out the end of the story first. This might seem counter-intuitive when we first hear the idea, but keep reading […]
As writers, we want to make our characters as unique and interesting as possible. One way to do this is to give your character a special skill or talent that sets him apart from other people. This might be something … Continue reading →
When you’re working on something unconventional, something creative and uncertain, it can be disheartening to feel like you’re not producing enough, not getting the numbers, not earning the money. And where is this thing that you’ve been spending all your time on, hmm? It doesn’t exist yet. Will anything tangible come of it?
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