What’s the easiest way to increase time-on-site, decrease bounce, and make it more likely people share your content? Readability. Readability: “The ease with which a reader can understand written text” Great content is irrelevant if it’s a pain to read. Most people who have a website rarely consider the typography used on their website – …
By BookBaby author Ginny Carter Why would someone hire a ghostwriter? For one thing, it might be the difference between an idea floating around an author's head and an actual book being published. This BookBaby blog article Working As A Ghostwriter appeared first on and was stolen from BookBaby Blog .
Via Marianela Camacho Alfaro, Luciana Viter
It’s there in front of you - the blank space with the blinking cursor or the empty page in a notebook. Your fingers grasp the pencil or the pen; your hands hover over the keyboard. There’s so much to say but how to start and, once started, how to keep going? That’s the challenge. You and only you can do it, and you wouldn’t have it any other way. Here, Roddy Doyle gives some timely advice on how to write
What a title, huh? I'm tired, you guys. The long weekend isn't even over yet, and I've already crammed so much socializing, working, cycling, baking, and errand-running into the past few days that I am in that weird high-from-exhaustion stage, and when I get like that, running on fumes and dark roast coffee, I always…
Writing for Radio is one of the only script-writing guides available that focuses on the unique process of writing drama for audio. Experienced writer, editor and tutor Margaret Wilkinson takes you step by step through the building blocks of good radio drama, addressing how to write script with no visuals, as well where to find story ideas, how to ratchet up the tension, how to get the finished product on the air, and much more. These steps include carefully developed principles and writing exercises that have been repeatedly test-driven in workshop situations and that have, time and again, given students the skills to produce a compelling radio drama. So get stuck into one of the most flexible mediums in script writing, with potential audience numbers that novelists and poets can only dream of: Writing for Radio is available for just £5 as a handy e-book or illustrated PDF.
Oxford University law students have asked to be protected from distressing material that may crop up in their studies of the criminal law. Lecturers have been told that they must issue “trigger warnings” before lecturing on subjects that may – … Continue reading →
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