“A random sample of new books for sale on Amazon.com shows more books for sale from the 1880’s than the 1980’s. Why? This paper presents new data on how copyright seems to make works disappear. First, a random sample of 2300 new books for sale on Amazon.com is analyzed along with a random sample of 2000 songs available on new DVD’s. Copyright status correlates highly with absence from the Amazon shelf. Together with publishing business models, copyright law seems to stifle distribution and access. Second, the availability on YouTube of songs that reached number one on the U.S., French, and Brazilian pop charts from 1930-60 is analyzed in terms of the identity of the uploader, type of upload, number of views, date of upload, and monetization status. An analysis of the data demonstrates that the DMCA safe harbor system as applied to YouTube helps maintain some level of access to old songs by allowing those possessing copies (primarily infringers) to communicate relatively costlessly with copyright owners to satisfy the market of potential listeners.”
this articles gives warning to copyright infringers from a very credible source the usnews.com. I believe it could havewent a little more in depth behind the reasoning but people know copyright infringement is wrong.
Reason is running a very interesting review of a new book by Alex Sayf Cummings, called Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century. It reiterates many of the points that we've made before about music and copyright, but with a strong historical basis, highlighting how these issues are not new. In fact, it reiterates how Congress was quite concerned that putting copyright on recordings was a very dangerous mistake:
When computer science professor Larry Rudolph and entrepreneur John Ossenmacher launched the online company ReDigi in late 2011, they promised that the service would offer people something missing from the market: a legal means for consumers to sell their old digital music files.