Christy Dena en Scolari (2013) habla del atractivo del misterio para la producción transmedia, ya que permite jugar mejor que de ninguna otra manera con la información en manos de los públicos/usuarios... En el caso de la ciencia ficción, la ventaja es clara, ya que las normas que rigen el mundo de la historia se redefinen totalmente, con lo que las posibilidades para abrir nuevas vías de distintas formas son infinitas.
See on Scoop.it – Story and Narrative Andrea Phillips first encountered transmedia storytelling back in 2001 when a friend told her about a baffling website by the Anti-Robot Militia, a group opposed to the advance of …...
"Now that the National Film Board of Canada is not the only big player in the game of transmedia storytelling (outside of the branding world, of course), the Tribeca Film Institute, Mozilla and more are eager to put their money and support behind transmedia storytelling"
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