臺北市立美術館官方網站，1983年12月24日正式開館。位於臺北市圓山中山美術公園，佔地六千二百坪，全館建築共分六層─地下三層、地上三層，共有展場23間、餐廳、戶外咖啡, 藝術書店、圖書室、視聽室、哺乳室, 美術教室, 資源教室, 停車場等休憩服務空間。建築由高而潘建築師事務設計監造，以懸臂飛廊之「井」字結體形式，四周牆面整片玻璃採光，中樞內庭承接自然光源，具現代建築風格，極富國際都會之時代特色。網站提供參觀訊息、交通指引、展覽訊息、多媒體內容、教育活動、美術教室預約、師生園地、典藏資料庫、研究、書店購書、會員服務、以及美術行政、客服中心等。Taipei Fine Arts Museum Official site, TFAM.museum, with introduction to the museum architecture, visiting info, exhibitions, education programs, Multi-Media content, Online booking, E-Campus, collection database, Research activities, bookstore, membership services, art administrative and customer help desk. TFAM was officially opened on 24 December 1983, focusing on contemporary Taiwanese arts and introducing international art currents to its nation-wide audiences. Facility includes： exhibition Gallery, art experience corner, art studio, bookshop, Out door café, auditorium, library, parking lot etc. TFAM website began in 1996 with www.tfam.gov.tw. From January 2007 on, www.TFAM.museum is the new address for the site. contact: firstname.lastname@example.org
This is the Official Website for Tokyo National Museum. As well as providing information related to Exhibitions, Events and Access, this website is also home to the TNM Collection (the Museum’s digital image gallery
The international exhibition 'Caratteri da Collezione”, the contemporary han calligraphy biennial, will be open to the public in Florence from Thursday the 17th to Monday the 28th of July.
Two locations have been chosen for this great exhibition which, for the second consecutive year, looks at the subject and forms of collecting in order to show the public the excellence and vitality of the most prominent of the Chinese fine arts: the prestigious Sala d’Arme at the Palazzo Vecchio and the museum that Frederick Stibbert left to the city of Florence, proof of nineteenth-century eclectic collecting at its highest level.
One hundred contemporary calligraphers will be present for the occasion, mostly from China and Korea: great personalities and young artists alike, who have created works exclusively for this 2014 Biennial, inspired by the most ancient collection of Chinese poetry, the unfailing inspiration of later literature: the Book of Odes (Shijing) (XI-VI century BC).
Calligraphy is an artistic experience of primary importance in the development of Far Eastern culture and is today recognised by UNESCO as an intangible asset for our cultural heritage. By its very nature it is different from writing. It is not simply a communication tool but an action that combines artistic expression and spiritual energy.
With this art, with the interaction of mind and body, your thinking enters a new realm.
The curators of this second edition are:
Ma Hanyue - Executive Director of the International Exchange Academy for Chinese Painting and Calligraphy, General Editor of the magazine 'Calligraphy and Chinese Painting';
Ye Xin - Director of the Korean Calligraphy Academy,Lecturer of calligraphy at Beijing University and the Chinese Cultural Institute in Seoul;
Paola Billi and Nicola Piccioli - FeiMo Contemporary Calligraphy, President and General Secretary respectively, in Italy, of the International Calligraphers Association of Beijing.
The exhibition is presided over by Academic Director Zeng Xiang - General secretary of the Department for Calligraphy and Sigillography and the Director of the Sigillography Research Institute at the China National Academy of Painting and vice-director of the Youth Organising Committee and the Association of Chinese Calligraphers, is organised by the magazine 'Zhongguo Shuhua Bolan China', the Korean Calligraphy Academy, FeiMo Contemporary Calligraphy Italy in collaboration with the Institute for Culture and Brand Strategy at the University of Beijing, the Confucius Institute at the University of Florence, Associna Tuscany, Taegukgi Toscana Korea Association, the Centre of Study for Far Eastern Art in Bologna and the Association of Chinese Artists in Italy, with the patronage of the Municipality of Florence and the Consulate General for the People's Republic of China in Italy.
Official secondary events for 'Collectible Characters', the han Contemporary Calligraphy biennial, are to be set up at various locations around the city.
Noteworthy events include the long-awaited 'meeting of brushes' at the Sala d'Arme, Palazzo Vecchio, on the 18th of July at 11.30am and, on the same day at 3pm, the International Forum on Chinese Calligraphy organised in collaboration with the University of Florence's Confucius Institute and held at the University's Aula del Rettorato in Piazza S. Marco, Florence.
도끼자루 베려면 어떻게 하나 도끼 아니면 벨 수가 없다네 . 아내 맞으려면 어떻게 한나 매파가 아니면 얻을 수 없다네 . —— 《시경 • 국풍 • 빈풍 • 벌가》
In hewing [the wood for] an axe-handle , how do you proceed ? Without [another] axe it cannot be done . In taking a wife , how do you proceed ? Without a go-between it cannot be done . (Shijing, XI-VI century BC).
Come fare un manico d’ascia? Senz’ascia non si può. Come fare a prendere moglie? Senza un mediatore non si può. (Shijing, XI-VI sec. a.C.).
Il giorno 15 dicembre 2013 a Roma, alla presenza di oltre cento invitati e di rappresentanti dell’Ambasciata della Repubblica Popolare Cinese e del Ministero degli Esteri italiano, è stata fondata la The Italian Chinese Poets, Calligraphers and Painters Association,che raccoglie alcuni dei più autorevoli praticanti cinesi delle arti dei letterati residenti nel nostro Paese. Nicola Piccioli e Paola Billi sono i soli italiani invitati a far parte di questa neonata e prestigiosa Associazione come Membri Coordinatori. Loro opere erano presenti alla mostra dei Maestri associati, allestita in contemporanea con l’evento fondativo.
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