If you've taken a film studies course, you've almost certainly seen the work of Georges Méliès. His 1902 short A Trip to the Moon, at the top, which some cinema scholars cite as the picture where special effects as we know them began, has a particularly important place in cinema history.
When people watch a movie together their brain activity is, to a remarkable degree, synchronized. It's a slightly creepy thought. It's also a testament to the captivating power of cinema, says Uri Hasson, a psychologist at Princeton University.
At the 1984 Cannes Film Festival, disco trailblazer and Oscar-winning composer Giorgio Moroder unveiled a restored version of Fritz Lang’s 1927 silent epic Metropolis -- the first time that the groundbreaking movie had been restored since it premiered.
Although British director Peter Greenaway is best known for feature films like The Cook, the Thief, His Wife and Her Lover, Prospero's Books, and The Pillow Book, he has also completed several highly respected projects for television, including this 53-minute exploration of the life and work of Charles Darwin.
Back in the summer of 1934, Welles, only 19 years old, joined up with William Vance, a high school friend, and shot The Hearts of Age. It ran eight short minutes and featured four cast members: Welles, Vance, Virginia Nicholson (Welles' girlfriend and eventual first wife) and Paul Edgerton.
Imagine the claustrophobia and last-man standing dystopia of Battlestar Galactica married to the comedic oppression of Terry Gilliam's Brazil. Now imagine all of that is stuck on a train. That's Snowpiercer.
It’s a sad fact that the vast majority of silent movies in Japan have been lost thanks to human carelessness, earthquakes and the grim efficiency of the United States Air Force. The first films of hugely important figures like Kenji Mizoguchi, Yasujiro Ozu, and Hiroshi Shimizu have simply vanished.
Akira Kurosawa, 'subtract ‘movies,’ and the result is ‘zero.’” Donald Richie, the 20th century's preeminent Western critic of Japanese film, quoted that line when writing a remembrance of the 20th century's preeminent Japanese filmmaker.
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