In a boardroom at the Art Gallery of NSW, Count Andreas Wilhelm von Faber-Castell casts a critical eye over a miniature kingdom of pencils. A rainbow army of brightly coloured sticks lies in orderly formation, next to trays of connector pens, pastels and graphite pencils. The dapper eighth-generation scion of the global family company, supplier of art and writing products since 1761, adopts a rigorous approach to his work — right down to drinking ink destined for childrens pens in quality control tests.
Sarah de Bogui's insight:
Un livre de coloriage - même pour adultes - est-il encore un livre ?
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