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Scooped by VIDEOWORLD onto CINE DIGITAL ...TIPS, TECNOLOGIA & EQUIPO, CINEMA, CAMERAS |
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Todos aquellos interesados en realizar un cortometraje.
Estudiantes y profesionales de comunicación y/o televisión y/o cine.
A personas relacionadas con medios audiovisuales (directores, videastas, fotógrafos, editores).
Realizadores y guionistas.
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Transmisión de Video de Eventos Empresariales y Sociales por Internet Precios de los servicios de streaming de video y audio OCASIONAL POR EVENTO y MENSUAL
Circuito Cerrado por Internet Conferencias on line Streaming Producción de Canales de Televisión y Video sobre Internet Produccion de Contenidos y transmisión de Televisión en vivo, Satelital, Video bajo demanda IPTV, Video on demand VOD Banda Ancha,... Delete the scoop?
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VIDEOWORLD's insight:
Carl Zeiss el Mercedes Benz de los lentes de Cine Video y Fotografía Delete the scoop?
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Nueva edición de nuestro curso DIT. Con una estructura mejorada para el máximo aprovechamiento del curso.
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Operaciones avanzadas cine digital Delete the scoop?
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How using different focal lengths can help assist character development in new ways. It is the cinematographer’s job to assist in the character arc process.
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Una excelente publicación de Shane Hurbut sobre como utilizar los lentes para contar una historia parte II Delete the scoop?
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parece estar más definido que nunca: el 3D ha muerto y el nuevo estándar de la industria ha de ser el 4K. Sony ya está promocionando equipos de producción 8K. La televisión digital ultra HD trabaja sin parar. Delete the scoop?
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Multi-viewpoint robotic camera system creates real 'bullet time' slow motion replays (http://www.diginfo.tv/v/13-0045-r-en.php) 28/5/2013 NHK Open House 2013...
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Sistema robótico multiview para efecto Matrix Delete the scoop?
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I address the issue of which camera independent filmmakers should buy and how the camera manufacturers are scamming you.
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Why you should shoot your projects with the top cameras (Red Epic and Arri Alexa)
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20 Fascinating Filmmaking Facts
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I am asked “Which camera should I use?” as much as all other questions put together. I intend to change that. Delete the scoop?
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Working with uncompressed footage is theoretically the best solution - but how expensive is it, really? This article discusses the costs associated with working with uncompressed 2K and 4K footage in your workflow.
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Muy buen artículo sobre los costos reales de trabajar en 4K RAW Almacenar un Master en 4K 32 bit a 24 fps te puede estar costando unos $5000 Dólares
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El cine o séptimo arte, toda una técnica consistente en proyectar fotogramas de forma rápida y crear una ilusión óptica de movimiento. Desde s...
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¿Qué camino seguirá el cine y televisión online en España?¿Adaptará sus precios y oferta a la demanda de los usuarios? Delete the scoop?
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The VisionColor picture style (http://vision-color.com/) was applied with FilmConvert (http://www.filmconvert.com/) was then applied using 3 Fuji film
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El clip se muestra 4 veces con cada "look" y a continuación, una pantalla dividida con los 4 tiros en el mismo cuadro. FilmConvert crea una muy agradable y auténtica película Delete the scoop?
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Pon tu propia Productora de Televisión Satelital Terrestre y por Internet, Te instalamos tu propio Canal y Estudio de Televisión, con los equipos necesarios para Universidades, escuelas y empresas productoras de: Video, Televisión y Eventos en Vivo y Largometrajes
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Integramos tu canal y te damos asesoría Ing. José Maria Noriega C.A.S. Master on Technology Brunel University, London, England
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El concepto de velocidad de obturación es relativamente fácil de entender cuando hablamos de fotografía, pero se complica un poco más cuando lo que estamos grabando es imagen en movimiento, o sea, cine y vídeo. Además, existen diferentes tipos de obturadores que funcionan de muy diferente manera y que nos llevan a expresar la velocidad de obturación en grados o en fracciones de segundos. Vamos a intentar explicarlo todo y para ello vamos a ir por partes.
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¿Tenemos que grabar siempre con una obturación correspondiente a 180º? En general diríamos que sí, que es una norma que deberíamos seguir para tener buenos y consistentes resultados. Delete the scoop?
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A year and a half in the making, shot simultaneously on and after Revenge of the Great Camera Shootout 2012, Zacuto presents a Steve Weiss film, Light & Sha
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Light & Shadow, let it be a reminder that cinematography, like all art forms, is something that comes from within. Delete the scoop?
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Independent film distribution tips: a guide for indie filmmakers, from theatrical to self-distribution alternatives
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Tips para la distribución de peliculas para productores y cineastas independientes Delete the scoop?
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Los usuarios nikonistas y amantes del cine digital están de enhorabuena. JVC ha presentado en Japón la JY-HMQ30, una videocámara de altos vuelos armada con una bayoneta para objetivos Nikon. La firma ...
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JVC ha presentado en Japón la JY-HMQ30, una videocámara de altos vuelos armada con una bayoneta para objetivos Nikon Delete the scoop?
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The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.
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Una excelente publicación de Shane Hurbut sobre como utilizar los lentes para contar una historia parte I Delete the scoop?
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Conoce el Poder Tecnológico y de Conectividad Blackmagic Design para Cine Digital, EFP, Estudios de Televisión y Producción en Vivo Características de las
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Presentación de mi Conferencia de Cine Digital y Flujos de Trabajo para estudios de Televisión con equipos BlackMagic Cinema en la EXPO de Cine Video y Televisión Delete the scoop?
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Trends and motifs in Stanley Kubrick's film techniques
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One of the hallmarks of Stanley Kubrick’s films were his protracted, uncompromisingly slow scenes. Delete the scoop?
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A detailed write-up of an incredibly useful indie feature film casting seminar I attended at the Palm Springs Festival of Short Films
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Casting Directors were unanimous: it’s a no-brainer, you really should go for the great person who is “only” 99% perfect for the role. They said that actors who are difficult to work with are simply not worth the trouble. Delete the scoop?
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Using GoPro® cameras, capture HD 360° Video & One-Click Panoramas w/ 3D Printed, Plug & Play designs covering a 360x180° Field Of View
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Director Chris Milk re-imagined the concert experience of Beck’s version of David Bowie’s “Sound and Vision”. Check out the HELLO AGAIN - BECK 360° Experience for Lincoln Motor Company.[http://www.hellobeck.com] The 360° immersive experience recently earned 2 Webby Awards, including one for Best Use of Video and Moving Image. Delete the scoop?
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En el marco de la esperada EXPO de Cine Video Y TV y dentro de nuestro Programa de Excelencia en Producción de SIGNAL y FLD estaré impartiendo 3 conferencias http://www.canal100.com.mx/expo/talleres.php
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Una de las Conferencias es exclusiva para Ingenieros y Productores de la RED de TELEVISORAS PUBLICAS Las otras 2 son conferencias abiertas al público SIN COSTO. Para reservar tu lugar en las conferencias solicita tu lugar dirigiendo un mensaje con el Tema que quieras conocer 1.- CONFERENCIA ILUMINACION LEDS o 2.- CONFERENCIA CINE DIGITAL y ESTUDIOS DE TV BLACKMAGIC ajimenez@fluotec.com CUPO LIMITADO Reserva ya y Pre inscríbete tambien en la EXPO Los esperamos del martes 4 Delete the scoop?
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The Canon C300 is a very good albeit highly priced $15,000 HD camera, producing an ultra clean and detailed image by oversampling from the same 4K sensor as the C500.
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..."I feel the 5D Mark III in raw is both amazing and feature packed relative even to the professional $12k and $15k C-series offerings let alone other DSLRs" Delete the scoop?
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Posted by Juliet McNally on May 21, 2013 •
"4K was the definitive buzzword at NAB this year, as well as CES, with a number of manufacturers releasing 4K televisions, 4K game systems, and 4K cameras. With the consumer demand for 4K content just around the corner, one of the most often asked questions is “How much is this gonna cost us?!” After polling a number of industry sources, I decided to try and break down the costs of shooting, color correcting, and finishing in 4K to show that it isn’t as intimidating as you might think.
Let’s use a typical multi-camera one-hour television drama (such as Game of Thrones) shooting six hours of footage per day with nine cameras. And let’s assume that everything is shot in ProRes 4444 at 24fps, just to make it a little easier to get some figures. Additionally, let’s say they’re using a camera that can shoot both formats, so the production equipment is the same, but the amount of media and storage will differ. This isn’t a magical camera, by the way, there are plenty of cameras that offer 4K and 1080 recording options in the same codec, as well as external recorders like AJA’s Ki Pro Quad or the new Odyssey 7Q from Convergent Design." ... blog.abelcine.com Via Thierry Saint-Paul Delete the scoop?
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Los sonidos de fondo de las películas forman parte primordial de éstas. Es increíble e interesante la gran cantidad de trucos y maneras de hacer esto. Este d...
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Un interesante documental acerca de los trucos utilizados en el diseño de sonido Delete the scoop?
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Escoger micrófono adecuado para el trabajo es un paso importante en cualquier proyecto de vídeo, y la comprensión de las características direccionales del micrófono es un factor determinante Delete the scoop?
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