BLACK AND WHITE
Follow
Find tag "black & white"
17.8K views | +3 today
BLACK AND WHITE
Wonderful black and white photography
Curated by Photo report
Your new post is loading...
Your new post is loading...
Scooped by Photo report
Scoop.it!

Black and white portraits by Serge Bouvet - YouTube

Do you want a great picture in your room? It's easy! 1. Visit http://sergebouvet. 2. Choose your photographs you like. 3. Send an email 4. And you will recei...
more...
No comment yet.
Scooped by Photo report
Scoop.it!

Manifeste pour libérer la photo d’entreprise | Photographer: Serge Bouvet

Manifeste pour libérer la photo d’entreprise | Photographer: Serge Bouvet | BLACK AND WHITE | Scoop.it

"Vous êtes un chef d’entreprise, un leader visionnaire ? Il faut sauter sur l’occasion de montrer des gens singuliers, de vendre aux gens singuliers. Le dilemme est là : continuer à parier sur la masse ou sur l’individu. Croyez-moi, il y a plus d’occasion à saisir en défendant le singulier et en s’en faisant le porte-parole.
Vous souhaitez réaliser des portraits corporate qui sortent un peu des lieux communs, de vrais portraits qui vous ressemblent : éloignez-vous de la normalité et on vous remarquera." 

more...
No comment yet.
Scooped by Photo report
Scoop.it!

I Am Georgia | Photographer: Dina Oganova

I Am Georgia |  Photographer: Dina Oganova | BLACK AND WHITE | Scoop.it

For photographer Dina Oganova, each and every aspect of her country is precious and unique. In her series I Am Georgia, Oganova chronicles the daily facets of the homeland she has always treasured. Here we see children at play, the elderly at prayer, and everyday familial celebrations.


Made up of only four million residents, Georgia has existed as a sovereign state for a little over a decade. Bordered by Russia, Turkey and the Black Sea, the country faced civil war the same year it declared independence from the Soviet Union.


A land of refugees and with a history of conflict, Georgia’s people attempt to hold on to traditions while plunging into the future. In this relatively new and foreign landscape, I Am Georgia is a personal and spirited testament to who the country is and to who it is becoming.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Lu Nan’s Trilogy of Men | Photographer: Lu Nan 呂楠

Lu Nan’s Trilogy of Men | Photographer:  Lu Nan 呂楠 | BLACK AND WHITE | Scoop.it
Lu Nan’s Trilogy of Men: China’s Catholicism & Forgotten People, and 4 Seasons in Tibet

 

Influential Chinese Photographer Lu Nan 呂楠 is a man of mystery, shying away from cameras, the public and publicity. Lu has also been known to hide his name and movements under various pseudonyms. He applied for membership at Magnum Photos under the name Mao Xiaohu.

 

And while Lu once said it didn’t matter who the photographer was that took the pictures (good or bad), it is hard to ignore and not attribute to him his immense body of work, namely the ‘Trilogy’ series which took 15 years to complete. First in the trilogy were Lu’s photographs of patients at China’s mental hospitals titled ‘The Forgotten People, the state of Chinese psychiatric wards’.

 

This was followed by a documentary of the catholic church in China and pilgrimages made by its followers. The last were photographs of peasants in Tibet called ‘Four Seasons’, rumoured to be made whilst Lu was on the run from ‘unfriendlies’. In 2009, Lu also made controversial photographs of prisoners in Northern Myanmar camps.

Photo report's insight:

"Human lives should not be labeled. Labels cover our eyes and make many things invisible to us," Lu Nan said.


Legendary Chinese photographer Lu Nan shook the world with his pictures of people living on the edge of despair.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Syrian refugees in Iraq | Photographer: Andy Spyra

Syrian refugees in Iraq | Photographer: Andy Spyra | BLACK AND WHITE | Scoop.it
Photo report's insight:

"With the civil war ongoing, Syria's Christians have, just as their brethren in Iraq, been caught in the crossfire: endangered and largely forgotten, they have become victims of someone else’s war. At the time of writing, only the Christians in the north-eastern Kurdish areas are still living in considerable safe conditions. The town of Qamishli, unofficial capital of the syrian Kurds and located directly at the turkish-syrian border has become one of the last safe havens for Syria's Christians and will be the focus of my documentation." - Andy Spyra

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Arrivals and Departures | Photographer: Jacob Aue Sobol

Arrivals and Departures | Photographer: Jacob Aue Sobol | BLACK AND WHITE | Scoop.it

"It was a trip I had always wanted to take; The legendary journey along the Trans Siberian Railway.

Denmark, my native country, you can cross in five hours by train, but in Russia the distances are huge.

I was curious if the connection between people and places would feel different considering the fact that I would pass every tree, every house and every village on my way to Beijing.

The first chock came already when I entered the train. It was completely empty.

 

The whole idea of the project had been to meet people on the train and make intimate stories from the train compartments. But riding this ghost-train, I had to change the concept:

The intimate work had to come from my encounters with people in the cities and the train became the read thread connecting Moscow, Ulaanbaartar and Beijing.

On the train I ended up with my camera glued to the window photographing the change of landscape as we were let along the russian forests, the mongolian desert and through the mountains to Beijing.

 

But it was not only Russia, Mongolia and China that was unknown land to me - so was my equipment. It was my first time using a digital camera. Everything was new, but then again, my ambition is always the same; to use the camera as a tool to create contact, closeness and intimacy. I want to meet people, to connect with the cities, to make the places mine, even if it’s just for a short while.

I had the greatest experience in Mongolia, when I ran into a group of Mongolian hunters who invited me to join them on a trip through the mountains that surround Ulaanbaatar.

This reminded me of my life in Greenland. When I  was 23 I lived in a small settlement of the East Coast of Greenland, where I was trained as a hunter. The relation you create to nature as a hunter has had a big influence on my life and my work.

Meeting the Mongolian hunter, I immediately felt like putting the camera on a shelf and picking up the riffle. When he shot and slaughtered a deer, we drank the warm blood and ate the raw liver together." - Jacob Aue Sobol

more...
No comment yet.
Scooped by Photo report
Scoop.it!

The Rape of a Nation | Photojournalist: Marcus Bleasdale

The Rape of a Nation | Photojournalist: Marcus Bleasdale | BLACK AND WHITE | Scoop.it

The Democratic Republic of Congo (DRC) is home to the deadliest war in the world today. An estimated 5.4 million people have died since 1998, the largest death toll since the Second World War, according to the International Rescue Committee (IRC).

IRC reports that as many as 45,000 people die each month in the Congo. Most deaths are due to easily preventable and curable conditions, such as malaria, diarrhea, pneumonia, malnutrition, and neonatal problems and are byproducts of a collapsed health care system and a devastated economy.

 

The people living in the mining towns of eastern Congo are among the worst off. Militia groups and government forces battle on a daily basis for control of the mineral-rich areas where they can exploit gold, coltan, cassiterite and diamonds.

 

After successive waves of fighting and ten years of war, there are no hospitals, few roads and limited NGO and UN presence because it is too dangerous to work in many of these regions. The West’s desire for minerals and gems has contributed to a fundamental breakdown in the social structure.

Photo report's insight:

Marcus Bleasdale was born in the UK to an Irish family, in 1968.  He grew up in the north of England and initially studied economics and started work as an investment banker. Although he was a director in a large international bank he resigned in the mid 1990s and began to travel through the Balkans with his camera.

 

He returned to study photojournalism at the prestigious London School, during which time he won the Ian Parry, Young photographer Award for his work on the conflict in Sierra Leone. He has established himself as one of the worlds leading documentary photographers concentrating on Conflict and Human Rights.

 

He has been awarded many of the worlds highest honors for his work and continues to highlight the effects of conflict on society. He is a member of the photo agency VII. He lives with his wife Karin Beate in Oslo, Norway.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Mutazioni | Fine art photographer: Gian Luca Groppi

Mutazioni | Fine art photographer: Gian Luca Groppi | BLACK AND WHITE | Scoop.it

Gian Luca Groppi is a modern storyteller, who mixes cards and genres, giving his works a caustic lyricism that deliberately does not offer solutions or panaceas, but is rather an attempt at trying to shake us from widespread social and emotional inertia.” And here he is again the "storyteller", who brings together in this exhibition years of works that he himself calls "his only children." 

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Calcutta | Photojournalist: Fernando Moleres

Calcutta | Photojournalist: Fernando Moleres | BLACK AND WHITE | Scoop.it
Photo report's insight:

Fernando Moleres was born in Bilbao, Spain in 1963. He began work as a nurse in his home village, traveling in 1987 to pursue that calling in Nicaragua, during the Sandinista period. It was there that Moleres began to appreciate the value of photography and to teach himself how to do it. During the early 1990s, he combined nursing work with long periods traveling and doing photo projects, such as Children at Work, which lasted several years and took him to many countries. His photos have appeared in a number of international publications, such as Stern, Le Figaro Magazine, Le Monde 2, La Republica, Io Donna, The Independent and The Sunday Times Magazine. Moleres has published two books and has had more than 20 solo exhibitions worldwide. His honors include a Picture of the Year 2011, two previous World Press Photo prizes (in 2008 and 1998), a W. Eugene Smith Grant, a Erna and Victor Hasselblad Foundation Grant, and a Lucia Award 2012 Deeper Perspectives Award, among others. Moleres is now based in Barcelona.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Autorickshaw | Photographer: Serge Bouvet

Autorickshaw | Photographer: Serge Bouvet | BLACK AND WHITE | Scoop.it

Autorickshaws are common all over India, and provide cheap and efficient transportation. New auto rickshaws run on CNG and are environmentally friendly. Autorickshaws are found in cities, villages and in the countryside.


There are two types of autorickshaws in India. In older versions the engines were situated below driver's seat. In newer versions engines are in rear portion. They normally run on petrol, CNG and diesel. The seating capacity of a normal rickshaw is 4, including driver. 

There are also six-seater rickshaws in parts of Maharashtra. In cities and towns across India it is the backbone of city transport. Normally their fare rates are controlled by the government with traffic meters.

CNG autos were distinguishable from the erstwhile petrol-powered autos by having a green and yellow livery as opposed to the earlier black and yellow. Certain local governments are pushing for four-stroke engines instead of the current two-stroke versions.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

What We Conjure | Photographer: Scott Alario

What We Conjure | Photographer: Scott Alario | BLACK AND WHITE | Scoop.it

"We are on a search for the spiritually significant, the magic in every day. What will we find that’s worth passing down? What will we conjure?"—Scott Alario

Photo report's insight:

Photographer Scott Alario is based in Providence, Rhode Island. His seriesWhat We Conjure was made with an 8×10 view camera, and adds to the great lineage of photographers like Emmet Gowin and Nicholas Nixon who have documented those most dear to them. Alario explores his role as a father by making these pictures, occasionally appearing in them himself.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

L’art est terrifiant mais remarquable | Fine art photographer: Serge Bouvet

L’art est terrifiant mais remarquable | Fine art photographer: Serge Bouvet | BLACK AND WHITE | Scoop.it
L’art est terrifiant parce qu’il remet en cause le statu quo.

Un artiste est un homme libre. Pour l’artiste, la liberté est un défi. La liberté, ce n’est pas, aux yeux de l’artiste, la capacité de faire ce que l’on veut. La liberté, c’est la volonté de faire ce que l’on veut. Cette liberté favorise le changement. Le monde, hélas, déteste la remise en cause du statu quo. Il déteste le changement. C’est pourtant cette remise en cause qui lui permet de progresser.

 

L’art est une transgression ostentatoire

Le photographe Joël-Peter Witkin est remarquable.  Joël-Peter Witkins est libre et courageux. Il transgresse. Il respecte les lois mais il ne respecte aucune règle sinon les siennes. C’est un artiste. Un novateur. Un créateur. Un visionnaire qui franchit en conscience le Rubicon de la normalité et de la bienséance. Est-ce que sa vision dérangeante du monde est un obstacle à la notoriété de ses photos. Non. A l’instar d’Elmut Newton, ses photos se vendent très bien, la valeur de ces photographies, se chiffre en million de dollars.

Les artistes courageux bafouent les règles ostensiblement. En effet, l’artiste libre est ostentatoire. Son art est visible. Son attitude est remarquable. Dali fut ostentatoire. Karl Lagerfeld est ostentatoire. Serge Gainsbourg fut ostentatoire. Steve Jobs fut ostentatoire.

Le créateur est un hors la loi qui transgresse les règles pour être visible, pour être identifié comme un dissident du statu quo.

Règle : Pour être remarquable, soyez transgressif. 

Photo report's insight:

MANIFESTE DE LA TRANSGRESSION 

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Children’s dreams | Photographer: Arthur Tress

Children’s dreams | Photographer: Arthur Tress | BLACK AND WHITE | Scoop.it

For his 1960s project on children’s dreams, legendary photographer Arthur Tress visualizes the subconscious fears of the innocent mind. While working with educator Richard Lewis of The Touchstone Center, he observed an exercise in which young people were asked to construct poems and paintings of their dreams; inspired, he began collaborating with children to create haunting silver gelatin photographs.

Influenced in part by the concept of Jungian archetypes, the images represent both the anxieties of the individual and the collective dread of the transformative decade. Here, domestic life and its mundane chores cease to provide comfort, and the home—and by extension, the mother figure herself— becomes irreversibly corrupted and decayed. Uprooted literally and figuratively from the safe space of wakefulness, the children must navigate a landscape riddled with a perversion that they do not yet comprehend.

As the virtues of childhood fade the reveal the sins of a hopelessly adult world, the threat of punishment and humiliation is ever-present, in the form of a dunce cap or in a vengeful flood brought by some unknowable deity. Ultimately, the impulse to grow and mature with the times is met with the irresistible urge to retreat, to pinch oneself and to awake from a nightmare that seems inescapable.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

LIFE | Photographer: Junku Nishimura

LIFE | Photographer: Junku Nishimura | BLACK AND WHITE | Scoop.it

Junku Nishimura live in small coal-mining village in the Yamaguchi Prefecture. His father is now old and Junku’s dream was to pass the last years with him growing and harvesting rice in their family paddy fields. He had left years ago to become a salaryman in big city Japan.

 

Anyone who knows Junku knows he has three great loves – Photography, Music and Whiskey. He found his love for music and whiskey while moonlighting as a DJ in bars serving customers from the US Military Base. He found photography while snap-shooting his blue collar peers in his early days in Japan’s building industry.

 

A friend of Junku’s recently got married and invited him to the wedding ceremony. He asked if it was okay to go without a suit because he didn’t own one. He quit his suit for a camera years ago. The friend replied “Yes, as long as you don’t smell.” Junku showed up, with his signature, heavily stitched and patched fisherman hat. Vintage Junku!

 

I’ve always believed the notion that every photograph is a portrait of the photographer. Here is a selection of Junku’s photographs of Japan – a portrait from a Larrikin Ex-salaryman.

Photo report's insight:
More from Junku Nishimura: www.flickr.com/photos/junku-newcleus
more...
No comment yet.
Scooped by Photo report
Scoop.it!

Noir & blanc | Serge Bouvet, photographe reporter

Noir & blanc | Serge Bouvet, photographe reporter | BLACK AND WHITE | Scoop.it

I discovered photography when I became a father in 2008. Yes, it is the birth of my daughter that led me to buy my first camera, a Canon 40D. It is in 2010 that I had for the first prestigious client, the Courts of Auditors, a quasi-judicial body of the French government, to photograph the First President, Didier Migaud.

This little overview to the past, duotone black and white is necessary for me as a stylistic evidence. This gallery is not complete, more pictures will be added gradually.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Sunday Morning Sports | Photographer: Salvi Danes

Sunday Morning Sports | Photographer: Salvi Danes | BLACK AND WHITE | Scoop.it

Countless photographs have been captured along Brooklyn’s Coney Island and Brighton Beach. From Lisette Model and Weegee’s famous images of bathers on into the present, sun revelers have been an endless source of inspiration to photographers. Spanish photographer Salvi Danés takes us tohis Coney Island in a series he calls Sunday Morning Sports. In one image, a bather descends down jagged rocks into the water, his body engulfed by the textures around him—water, rock, light and body becoming one. The men ofSunday Morning Sports, active and invigorated, are less worried about life than they are about living. We recently caught up with Danés to find out more about this community.


“They are neighbors who have always lived together in “Barceloneta”, a neighborhood in Barcelona. They are acquaintances, friends, even relatives, who since they were teenagers, have spent their time having fun doing exercise outdoors and enjoying the sun that the beach offers them.” - Salvi Danes

more...
Pierric Chalois's curator insight, February 11, 2014 3:06 AM

Les sportifs du dimanche....

Scooped by Photo report
Scoop.it!

Salt Water Tears | Photographer: Munem Wasif

Salt Water Tears | Photographer: Munem Wasif | BLACK AND WHITE | Scoop.it

Every ecosystem has its fragile balance. That much we have already learnt. Scientists routinely now seek to document the excesses that will lead to imbalance, even where they can do nothing about them. And sometimes, just sometimes, legislation and implementation and eventually protection may follow.

In the far south-west of Bangladesh, Munem Wasif shows us just what these abstract-sounding paradigms mean in practice. Nobody knows certainly why the water levels are changing in the Bay of Bengal, but they are. In a famously low-lying country, more and more people are under threat of catastrophic flooding. Coastal erosion, too, is accelerating, a matter of grave concern in a country where (under the pressure of population) every inch of usable land is at a premium. 

Munem Wasif found a region where changes to a single measurable fact – salinity levels in the water table – can be seen to have affected every part of the matrix of balances. Salinity has risen. The old agriculture is no longer possible because the old plants simply can’t grow. Shrimping – a new industry – has grown up, largely for export, using fewer workers and threatening the livelihood of many others. Shrimping in turn exposes more land to salt or brackish water. Farmers are reduced to occasional labour. Established structures of work and the societies centred on work change and break down. 

Many people have to venture into the mangrove swamps of the Sundarbans (a national park on the Indian side of the border, but not yet on the Bangladeshi) to fish or to collect roofing materials which used to be available closer to hand. In the Sundarbans they are exposed to a terrifying catalogue of risk, including attack from dog sharks, crocodiles, king cobras and the Bengal tiger. Women (it’s always the women) have to go ever farther in search of fresh water. New diseases become frequent, obviously connected to all these changes, but not yet provably so. So it goes on, a kaleidoscope of interconnected shifts, not fully understood, and not half predictable with accuracy. 

Munem Wasif has not gone to this blighted region to show us the abstractions of climate-change experts or the theories of macro-economists. Photography deals in the particular, and this project deals in the very particular. Wasif is himself Bangladeshi. Not for him the flak-jacket, the adrenaline rush, and five hours in the red zone. These are his people, although not quite in his part of the country. The accent is different but the language is shared. Wasif in fact rented a motorcycle to complete this commission, and when he tells you the names of the people in the pictures it’s because he met them and heard them, and knew them a little. 

The pictures, then, are almost by definition subjective. Too much ink has been spilt trying to work out when and whether photographers tell the truth. These pictures are absolutely personal to Wasif, absolutely his expression of his sentiments. But that doesn’t stop them being also a remarkable – and true – document of what is happening in the interplay of some of the complex of variables in this corner of Bangladesh.

Photography reads big and small. Wasif shows you Johura Begum’s long arm reaching out to her husband as he dies of cancer of the liver, that simple tenderness is the only available healthcare in a village whose population are in desperate need. It’s a little tiny truth, certainly. The husband died, the woman lived on, widowed. The photographer was there, he knows. But it is also and at the same time a complex of many metaphors. There are many pictures like this because this scene has been played out so many times all over the world. It’s a picture ‘about’ infrastructure and financing, too, as well as morality and ethics. In another searing picture, containers of fresh water are dragged on foot in boats through clinging sterile mud. Shajhan Shiraj and his brothers from Gabura, we’re told, travel three hours in this kind of way every day. Stunted trees, clear water only in the distance, three men, three boats, and the keel-trail they etch in the mud. It’s not just a beautiful picture: the irony of boats travelling so painfully slowly by land with water as their only cargo is unimaginably painful. 

There is a powerful crossover in the way pictures work. Read these pictures only as little truths and they will wrench out your heart. Read them as big truths and they will drive you towards planning practical effort for change. you don’t need to know that Johura Begum’s husband was called Amer Chan to be moved to action by Wasif. 

We read about donor fatigue, compassion fatigue. Every viewer of these pictures will have at some point the sense of having seen them before. Salgado in the Sahel, just as shocking, maybe more. Very similar in feel and tonality. But it is not up to the photographers to provide us with new scenes. As long as those scenes are there and look the way they do, photographers will continue to show them to us. Some people will look at Wasif’s pictures here and call them derivative, and they’ll be right. But it isn’t fashion. There is not going to be a new length of trousers this season in the liver cancer business. Photographers can only do so much. If viewers are tired of being harrowed, tired of seeing these scenes one shouldn’t have to look at, perhaps we can understand that it’s the viewers who need to perk up their ideas, not the photographers. Munem Wasif, for one, is doing his bit. Now it’s up to us. 

– Francis Hodgson
Head of Photographs, Sotheby's
Chairman of Judges, Prix Pictet
From the essay Munem Wasif: Tiny Truths, Big Truths 

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Albania-A Homecoming | Photographer: ENRI CANAJ

Albania-A Homecoming | Photographer: ENRI CANAJ | BLACK AND WHITE | Scoop.it

Albania is a small country in the heart of the Balkans. Despite its rich culture, people outside do generally not know much about it. It is also my homeland, the place of my early childhood. I grew up seperated from it, and returned later to pick up the threads that were left behind. 

What I found was modernity and tradition living together. I traveled a lot and started to know my birthplace, the people, their mentality, and their traditions. I felt very welcome, and was fascinated by all the people I met. They were kind, friendly and curious about my work.

 

I made this journey together with my wife. When people realized we were a couple, they were very open, they welcomed us inside their homes and extended wishes, blessings and congratulations. Marriage is very important in Albania. Everyone has to get married, it is considered to make men stronger and more respected in society.

 

In this photographic project I would like to show the everyday lives of Albanian people – the big picture, as well as the small, seemingly insignificant moments. What impressed me most was the strong family union, the connection among people. I found it everywhere – in married young couples and their babies, at a funeral ceremony where relatives shared their pain, at a wedding party, or when a son accompanied his father at work. I didn’t see any lonely people. - 

ENRI CANAJ
more...
No comment yet.
Scooped by Photo report
Scoop.it!

South Sudan | Photographer: Marco Crob

South Sudan | Photographer: Marco Crob | BLACK AND WHITE | Scoop.it

United Nations, 5 April 2013 - After decades of war South Sudan is contaminated with thousands of deadly unexploded bombs and landmines. These explosives threaten the lives and livelihoods of South Sudan's inhabitants, and are still an impediment to development, peace and stability. Emmy award-winning photographer Marco Grob travels to South Sudan to photograph the Mundari tribesmen as they roam vast plains in search of grazing land for their cattle. Here is an inside look into the creation of these stunning photographs.

Photo report's insight:

 

Award-winning photographer Marco Grob is making his mark in advertising and editorial circles with his high-impact fashion and portrait imagery. To satisfy his high-end commercial clients—Adidas, Tag Heuer, BBC, ARD, UBS, Nike, and Louis Vuitton—and editorial clients—GQ, Vanity Fair, Marie Claire, Elle, Vogue, Glamour, Cosmopolitan, and Zeit Magazin—New York-based, Swiss-born Grob has relied on Hasselblad equipment exclusively throughout his career.

 
more...
No comment yet.
Scooped by Photo report
Scoop.it!

Qajar | Photographer: Shadi Ghadirian

Qajar | Photographer: Shadi Ghadirian | BLACK AND WHITE | Scoop.it

Her Qajar Series (1998-2001) consists of small studio portraits of women dressed in the nineteenth-century Qajar style. Many of the women photographed are Ghadirian's friends and family. The backgrounds of these portraits resemble those found in photographic studios of that period. However, the artist has added some modern anomalies or dissonances, such as a mountain bike, a newspaper, or a Pepsi-Cola can. Ghadirian plays with these juxtapositions and contrasts, thus expressing the difficulties women face in Iran today - torn between tradition and the modernity of globalization. These composed portraits depict women unsure to which era they belong.

more...
No comment yet.
Scooped by Photo report
Scoop.it!

Karczeby | photographer: Adam Pańczuk

Karczeby | photographer: Adam Pańczuk | BLACK AND WHITE | Scoop.it

Karczebs
In one of the dialects spoken in the east of Poland, which is a mixture of Polish and Belorussian, people strongly attached to the soil they had been cultivating for generetations were called "Karczebs". With their bare hands Karczebs cleared forests in order to grow crops. The word Karczeb was also used to describe what remains after a tree is cut down - a trunk with roots, which remains stuck in the ground. This also applied to people - it was not easy for the authorities to root them out from their land, even in the Stalinism times. The price they paid for their attachment to their soil was often their freedom or life. After death, hurried nearby their farmland, a Karczeb himself became the soil, later cultivated by his descendants.

Photo report's insight:

In Karczeby, Warsaw-based photographer Adam Panczuk captures intimate portraits of Polish farmers and their connection and respect for the land they cultivate. Deeply rooted, steady and still, these are a people with the land in their blood and bones, defined by a livelihood built in nature.

more...
No comment yet.