Case Studies and Reports: DIASTOR Scanner Tests | Der Märchenwald, a Tinted Silhouette Film | Technicolor No. V | Dufaycolor | Strategy for the Restoration of the Swiss TV Series Heidi | Data Retrieval from the Obsolete DTF Data Tape Format | Digital Desmet | Restoring Technicolor | Color Analysis for the Digital Restoration of…
Muy bien, dentro de nuestra locura por lo analógico, nos hemos creado un pequeño archivo de películas y cintas de vídeo, pero claro... queremos compartirlas, promocionarlas, usar unos segundos para pedir financiación y continuar con nuestro proyecto. Lo mejor sin duda es digitalizarlas. Ahora tenemos un archivo paralelo audiovisual digital, ¿y éste, cómo lo conservamos? Como…
One of the very first feature-length sci-fi films ever made, Fritz Lang’s Metropolis took a daring visual approach for its time, incorporating Bauhaus and Futurist influences in thrillingly designed sets and costumes. Lang’s visual language resonated strongly in later decades.
A lei dos direitos autorais dos Estados Unidos determina que trabalhos criados antes de 1923 ou cujos criadores morreram há mais de 70 anos são de domínio público, isso é, não há direitos autorais sobre eles e qualquer um pode usá-los. Por esse e outros motivos, vários filmes antigos já são de domínio público. Aproveitando
From the meticulous geometric framing of Wes Anderson to the droll deadpan of Bill Murray, the influence of Buster Keaton’s comedy still ripples throughout popular culture. This video essay is part of the US filmmaker Tony Zhou’s Every Frame a Painting series, and it details how Keaton’s work helped to shape the visual language of film and on-screen comedy, dissecting just why his gags still amaze and amuse nearly a century after he first transformed motion pictures.
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