Audiovisual 2.0
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Audiovisual 2.0
La rete al centro dei nuovi linguaggi e delle nuove pratiche audiovisive. Possono le culture partecipative diventare i nuovi propulsori dell'innovazione linguistica?
Curated by mirmilla
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The Internet Archive releases tools to let anyone store community content forever

The Internet Archive releases tools to let anyone store community content forever | Audiovisual 2.0 | Scoop.it
The Internet Archive, the nonprofit repository for content on the Internet, announced today a strategic shift, putting it in the position of storage-dump provider that "communities" can tap if and ...
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Faire du streaming live multicamera avec des iPhones et iPads

Philippe Roux, co-fondateur du cluster Ouest Médialab, explique comment réaliser en direct la captation vidéo d'un événement avec des iPhones et des Ipads et...

 

Ouest Médialab

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Podcasts are back — and making money

Podcasts are back — and making money | Audiovisual 2.0 | Scoop.it
The short-form audio files, around for more than a decade, are enjoying a resurgence of popularity and profit.
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Stories You’ll Love - Matchmaking Through Personalization

Stories You’ll Love - Matchmaking Through Personalization | Audiovisual 2.0 | Scoop.it

"The explosion of digital video has created an unprecedented level of choice for viewers. Netflix VP of Product Innovation Todd Yellin and his team devised a system to cut through the clutter and match viewers with the stories they’ll love."


The Future of Storytelling

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The iPhone 6's New Camera Could Forever Change Filmmaking

The iPhone 6's New Camera Could Forever Change Filmmaking | Audiovisual 2.0 | Scoop.it
Amidst all the hoopla over the new iPhone 6 and iPhone 6 Plus and their motion processors, faster CPUs, and larger screens, people are missing that Apple's latest smartphones are also a high-quality camera that filmmakers—or aspiring ones—can keep in their pockets.
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Amateur Footage: a Global Study of User-Generated Content in Tv and Online-News Output

"The aim of this research is to understand how much User-Generated Content (UGC) is used on air and online by 24-hour news channels, why editors and journalists of these news outlets choose to use it, and under what conditions it is employed. The study intends to provide a holistic understanding of the use of UGC by inetrantional broadcast news channels"

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ThingLink for Video

Introducing an easy way to annotate videos with rich media

Via Ana Cristina Pratas, Vittorio Canavese
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tom jackson's curator insight, July 2, 9:53 AM

adding Thinglink tags to video

Josette Williams's curator insight, July 4, 1:09 PM

An easy way to annotate videos with rich media.  Thanks Digital Delights 

KCenter SKEMA's curator insight, July 15, 11:24 AM

Voir pour les évolutions dans les supports de cours

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The Story of GIF

The Story of GIF | Audiovisual 2.0 | Scoop.it
This is the true story of the Animated GIF told as a fairy tale through animated gifs of Snow White....
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Make Interactive Mashups With Pop - YouTube

Pop is a smartphone app for making interactive media mashups and remixes out of GIFs, still images and short video clips. Pop has a smart, intuitive approach...
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The Future of Video Is About Learning How To Tell Great Emotional Stories

"...interviews with people from Vimeo, Adobe, Blackmagic design, Motionographer, Cinema 4D, Sehsucht, Mashable, Digital Bolex and many more."


Via Robin Good, Fotis Begklis
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Robin Good's curator insight, April 15, 6:52 AM



In this SxSW set of video interviews captured by Wipster (a collaborative video review and approval service) with some of the "experts" in the online video publishing field, you can hear most of what you already know and expect from the future of video: 4K, real-time editing, effects, 3D, small screens and more. 

What instead emerges as the real challenge though, is to realize that no matter what kind of tools and services you use, the difficult part is to have a good story and to learn how to tell it on video.


Tools are great and easy indeed, but they don't make anyone a capable storyteller instantly. This is what we really need to work on.


No need to view all 12+ minutes of the video. Just check the first and the last interview in this clip and you will get the real meat.  



Insightful. Informative. 7/10

Original video:  http://vimeo.com/91457084 





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Diy Days Paris - De l’inspiration a l’action

Storytelling - Audience / Collaborators - Prototypes ...

Lance Weiler -> 21' 30" - 51' 46"

 

Viol. Les voix du silence 

Aurelie Taguet - Nouvelles Ecritures/France Television -> 2h 03" - 2h 19"

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Develop a video content strategy to build community - YouTube

Jeremy Boxer (Creative Director of Vimeo), Ryan Koo (Director of Manchild), and Marc Schiller (CEO of BOND) discuss the success of your film can depend on ho...
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Lessons Worth Sharing

Lessons Worth Sharing | Audiovisual 2.0 | Scoop.it
Use engaging videos on TED-Ed to create customized lessons. You can use, tweak, or completely redo any lesson featured on TED-Ed, or create lessons from scratch based on any video from YouTube.


"TED-Ed is a free educational platform that allows visitors to engage in, create, and distribute “Lessons worth sharing.” Every Lesson in the TED-Ed library is a result of a collaboration between some combination of educators, learners, animators, and the TED-Ed team"

mirmilla's insight:

Check out this great example: Periodic Videos (http://bit.ly/1ruw6yg)

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How are journalists at risk of vicarious trauma from UGC?

How are journalists at risk of vicarious trauma from UGC? | Audiovisual 2.0 | Scoop.it
In newsrooms, social media teams and picture desks are faced with more graphic and disturbing imagery than ever before. A recent Journalism.co.uk survey examined how this can impact journalists' wellbeing
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Getting in on the act - How arts groups are creating opportunities for active participation

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Thomson & Craighead: A Short Film About War | International New Media Gallery

Thomson & Craighead: A Short Film About War | International New Media Gallery | Audiovisual 2.0 | Scoop.it

A Short Film About War explores contemporary global conflicts mediated over the Internet. The left-hand screen is comprised of photographs found online, released under a creative commons licence. The right-hand screen references the source of each image. Weaving the sequence together is narration based on blog posts, written by individuals involved in the conflict depicted. These perspectives do not offer a universal view of war: there are many places that Thomson & Craighead struggled to represent. Such absences illustrate the unequal distribution of Internet connections across the world. The artists treat the resulting western bias critically. For them, war is a popular media subject that is always filtered through different agendas and perspectives.

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The Media Frontier: Jonah Peretti, Ze Frank, and Michael Shamberg (Future of StoryTelling 2014)

http://futureofstorytelling.org See the rest of our 2014 FoST films here: https://www.youtube.com/playlist?list=PLs6Vd3jEmIsvQTuwyNo6KaILrAal6napZ Ze Frank i...
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How the web is reshaping TV

How the web is reshaping TV | Audiovisual 2.0 | Scoop.it
New services from Sky and the BBC show that the web is creeping into TV more than ever. But what does the future hold?
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The Rashomon Project | An Open-Source Toolkit for Assembling and Analyzing Multi-Perspective Video Timelines

The Rashomon Project | An Open-Source Toolkit for Assembling and Analyzing Multi-Perspective Video Timelines | Audiovisual 2.0 | Scoop.it

"Rashomon is an open-source online toolkit designed for rapidly synchronizing and displaying videos and photos from contested events to help users gain a more nuanced understanding of them through multi-perspective timelines and interactive viewing features."

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Hands On With Google’s Incredibly Clever Cardboard Virtual Reality Headset

Each year at I/O, Google gives all of the developers in the audience a gift. Some years it's a tablet. Some years it's a laptop. This year? It was a piece..
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MemoWays

MemoWays | Audiovisual 2.0 | Scoop.it
Leverage your audio-visual content for mobile uses

 

"A software platform to tell stories for mobile usages"

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Adobe Voice

Adobe Voice | Audiovisual 2.0 | Scoop.it
Adobe has built its reputation on advanced, state-of-the-art creative programs like Photoshop and Premiere. In the case of its newest app, however, simplicity is key. Adobe Voice is a tool that all...
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Kenyatta Cheese: The Audience has an Audience

This is "TFI Interactive Day 2014 Keynote // Kenyatta Cheese // The Audience has an Audience" by Tribeca Film Institute on Vimeo, the home for high quality videos and the people who love them.
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GIF hearts Tumblr: a fairytale for the internet age

GIF hearts Tumblr: a fairytale for the internet age | Audiovisual 2.0 | Scoop.it
Kenyatta Cheese, speaking at Story Festival in London, explains the significance of the GIF in online storytelling
mirmilla's insight:

The GIFs exemplary story 

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