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Digital Body - iPad Book. An image and video history about João Martinho Moura artistic path

Digital Body - iPad Book. An image and video history about João Martinho Moura artistic path | Digital MediaArts Numériques | Scoop.it
João Martinho Moura, an Interactive Media Artist and Researcher born in Portugal. His interests are focused in intelligent interfaces, digital art, digital music and computational aesthetics. João has a special interest in body driven digital artifacts. João Martinho Moura is doing research, at University of Minho’s EngageLAB. João Martinho Moura is an Invited Assistant Professor at the Master Program in Technology and Digital Arts (MTAD), at University of Minho, Portugal, teaching Programing for Digital Arts. ...

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Digital MediaArts Numériques
Media Arts Watch Lab - www.arts-numeriques.info - laboratoire de veille Arts Numériques - twitter @arts_numeriques - @processing_org - @DigitalArt_be - by @jacquesurbanska
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www.arts-numeriques.info - Daily Watch

www.arts-numeriques.info - Daily Watch | Digital MediaArts Numériques | Scoop.it

Visit the website/portal to see much more news

 

http://www.arts-numeriques.info

 

- Call for artists

http://www.arts-numeriques.info/portail/calls-1

http://www.arts-numeriques.info/portail/calls-2

http://www.arts-numeriques.info/veille

 

- Newspapers
http://bit.ly/arts-numeriques-info_newspapers

 

- Blog

http://feeds.feedburner.com/www-arts-numeriques-info-blog

 

-Twitter

@arts_numeriques

@processing_org

@digitalart_be


-Facebook

https://www.facebook.com/ArtsNumeriques


- ALL RSS IN ONE

http://feeds.feedburner.com/www-arts-numeriques-info-ALL-NEWS


- Some of my other Twitter accounts

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Catherine Pascal's curator insight, April 15, 1:11 PM

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(on) Pure Data - by Alex Di Nunzio (musicainformatica.org)

(on) Pure Data - by Alex Di Nunzio (musicainformatica.org) | Digital MediaArts Numériques | Scoop.it
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#ArtCall - Submit your work for WRO 2015 - deadline : December 10th - #mediaart

#ArtCall - Submit your work for WRO 2015 - deadline : December 10th - #mediaart | Digital MediaArts Numériques | Scoop.it

The WRO Media Art Biennale is the major forum for new media art in Poland, and one of the leading international art events in Central Europe. Since its inception in 1989, WRO has been presenting art forms using new media for artistic expression and communication, exploring current creative territories and building a critical perspective toward emerging issues in culture, art, society and technology.


The previous edition of the WRO Biennale – WRO 2013 Pioneering Values Biennale – was held at eighteen sites around the city of Wrocław: museums, galleries, art house cinemas, department stores, old factory halls and public space, where the works of over 200 artists were shown. The exhibitions, concerts, performances, video projections, installations and conferences were attended by more than a thousand accredited guests and over 110,000 visitors. The WRO 2013 Catalog is available both in print and online.

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Artist Profile: Heather Phillipson by Lindsay Howard on Rhizome

Artist Profile: Heather Phillipson by Lindsay Howard on Rhizome | Digital MediaArts Numériques | Scoop.it

The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies.


When I saw your recent solo exhibition, immediately and for a short time balloons weapons too-tight clothing worries of all kinds, at Bunker259, I curled up in an inflatable birthing pool to watch a video suspended from an engine hoist. The video depicted a series of domestic, public, and online spaces, with a voiceover from you. At one point, you leaned over the camera and appeared to give me a facial. I broke down in laughter because it suddenly became clear that I had become a participant. When you show Zero-Point Garbage Matte, you use a similar strategy: the viewer climbs up a ladder and looks down on the monitor to view the video, a position that is reflected in its content. Which idea comes first, the video or the physical participation of the viewer?

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*di*/zaïn par designers @interactif - émission en public et diffusée en direct sur le web

*di*/zaïn par designers @interactif - émission en public et diffusée en direct sur le web | Digital MediaArts Numériques | Scoop.it

Les soirées *di*/zaïn ont pour objectif de susciter des échanges entre designers, artistes, agences, entreprises, écoles et toute personne intéressée par le processus de création. Chaque créateur invité dispose de 10 minutes pour exposer en images et commenter un ou plusieurs de ses projets récents. Pendant les présentations, le public peut réagir en direct sur un mur de tweets. À la dernière minute de chaque intervention, une question du public est sélectionnée en live dans ce flux Twitter. À l’issue des présentations, une session de réseautage permet aux intervenants et au public d’échanger.

Les soirées *di*/zaïn se déroulent sur le Plateau Média de la Gaîté Lyrique, sous la forme d’une émission en public et diffusée en direct sur le web via un tout nouveau dispositif, enrichi et interactif.

- See more at: http://www.designersinteractifs.org/presentation-dizain#sthash.rzb29iez.dpuf

Les soirées *di*/zaïn ont pour objectif de susciter des échanges entre designers, artistes, agences, entreprises, écoles et toute personne intéressée par le processus de création. Chaque créateur invité dispose de 10 minutes pour exposer en images et commenter un ou plusieurs de ses projets récents. Pendant les présentations, le public peut réagir en direct sur un mur de tweets. À la dernière minute de chaque intervention, une question du public est sélectionnée en live dans ce flux Twitter. À l’issue des présentations, une session de réseautage permet aux intervenants et au public d’échanger.

Les soirées *di*/zaïn se déroulent sur le Plateau Média de la Gaîté Lyrique, sous la forme d’une émission en public et diffusée en direct sur le web via un tout nouveau dispositif, enrichi et interactif.

Chaque mois, vous retrouverez les soirées *di*/zaïn, à la Gaîté Lyrique et sur le web

- See more at: http://www.designersinteractifs.org/presentation-dizain#sthash.VEc8dkOe.dpuf

Les soirées *di*/zaïn ont pour objectif de susciter des échanges entre designers, artistes, agences, entreprises, écoles et toute personne intéressée par le processus de création. Chaque créateur invité dispose de 10 minutes pour exposer en images et commenter un ou plusieurs de ses projets récents. Pendant les présentations, le public peut réagir en direct sur un mur de tweets. À la dernière minute de chaque intervention, une question du public est sélectionnée en live dans ce flux Twitter. À l’issue des présentations, une session de réseautage permet aux intervenants et au public d’échanger.

Les soirées *di*/zaïn se déroulent sur le Plateau Média de la Gaîté Lyrique, sous la forme d’une émission en public et diffusée en direct sur le web via un tout nouveau dispositif, enrichi et interactif.

Chaque mois, vous retrouverez les soirées *di*/zaïn, à la Gaîté Lyrique et sur le web


Association professionnelle, *designers interactifs* œuvre pour la reconnaissance des apports du design dans le développement de l'économie numérique.

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Conférence "Transmettre la culture à l'âge du numérique" - Michaël Borras / Systaime

Conférence "Transmettre la culture à l'âge du numérique" du 7 novembre 2013, organisée par le Ministère de la culture et de la communication au Campus Microsoft, Issy-les-Moulineaux.


Les net-artistes en réseau et les nouvelles initiatives d’exposition en ligne.


Michaël BORRAS, alias Systaime
Net-artiste et fondateur du SuPer Art Modern Museum (SPAMM)

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Non Human Device - Boris Chimp 504 / by Rodrigo Carvalho [VISIOPHONE]

During a recent exploration to Kepler22b, an exoplanet from the Kepler-16 binary star system, Boris Chimp 504 found some metallic objects on its surface. Though the origin of this object is totally unknown, it's probably a piece of technology from an extraterrestrial civilization. Boris has sent this object in an hyperspace capsule to the Vladivostok Space Center, on Earth.

It is believed that it's a part of a machine, a mechanism or a device of some kind. Recent investigations on the object lead to believe that it is an interface to control the position and orientation in space and time of something bigger, a spaceship maybe.
The device responds to touch, and generates an electric magnetic field that interferes with audiovisual signals and causes space-time distortions.

In this public installation, the audience will have the opportunity to interact with this “Non Human-Machine Device”, and experience the effects that it causes to audiovisual signals and space-time orientation.


http://www.borischimp504.com

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Who_am_I - ‘2.0 evolution’ of a popular and iconic #GIF - #netart

Who_am_I - ‘2.0 evolution’ of a popular and iconic #GIF - #netart | Digital MediaArts Numériques | Scoop.it

The Real_Dancing_Girl is the ‘2.0 evolution’ of a popular and iconic GIF, known as the Dancing Girl, a pretty, young, brunette lady, dressed in red, wiggling amused in a never-ending loop. ...


I’ve been dancing ever since I was created back in the days.
With the arise of the internet I became a vernacular symbol of freedom among the net, and a source of inspiration for countless users in the pre-history of the web.


The advent of social networks brought a severe, consequently change in the aesthetic of the internet; that's why I felt the need to renew my look, giving myself a more “topical” appearance.
But don't be fooled by this: my 'hula' remains the same ;-)
Feel free – as you’ve always been – to make me dance among your web universe!

Who_am_I

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Hollywood director: piracy is necessary, and doesn't hurt revenues - #PeterSunde

Hollywood director: piracy is necessary, and doesn't hurt revenues - #PeterSunde | Digital MediaArts Numériques | Scoop.it
Lexi Alexander has called out the industry for 'bullshit' claims about the cost of piracy, and says Pirate Bay founder Peter Sunde should be released from prison. By Samuel Gibbs


Hollywood director Lexi Alexander has criticised the Motion Picture Association of America (MPAA) and its war on piracy claiming that kids hacking film security is more entertaining than most Hollywood movies.


Alexander said she thinks piracy is necessary because of country content restrictions, and that while the wealth piracy begets for the pirates isn’t right, the freedom of access to content is. ...

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#Feminism and (Un)#Hacking » Journal of Peer Production

#Feminism and (Un)#Hacking » Journal of Peer Production | Digital MediaArts Numériques | Scoop.it

There has been a recent growth in interest in feminist approaches to practices like hacking, tinkering, geeking and making. What started off as an interest in furthering representations of women in the technical fields of computer science and engineering, often along the lines of liberal feminism, has now grown into social, cultural, and political analyses of gendered modes of social reproduction, expertise, and work, among others. Practices of hacking, tinkering, geeking, and making have been criticized for their overtly masculinist approaches, often anchored in the Euro-American techno-centers of Silicon Valley and Cambridge that have created a culture of entrepreneurial heroism and a certain understanding of technopolitical liberation, or around the German Chaos Computer Club (CCC).


With this special issue of the Journal of Peer Production, we hope to delve more deeply into these critiques to imagine new forms of feminist technical praxis that redefine these practices and/or open up new ones. How can we problematize hacking, tinkering, geeking and making through feminist theories and epistemologies? How do these practices, in fact, change when we begin to consider them through a feminist prism? Can we envision new horizons of practice and possibility through a feminist critique?

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Network Music Festival - 26.09>>28.09.2014

Network Music Festival - 26.09>>28.09.2014 | Digital MediaArts Numériques | Scoop.it

Exploring innovative digital music, art and research which investigates the impact of networking technology on musical creation and performance practice, Network Music Festival presents a weekend of cutting edge and hi-tech musical performances, installations, workshops and talks.


The third Network Music Festival will take place 26-28th September 2014 in Birmingham (UK) at the heart of Birmingham’s creative community.


http://networkmusicfestival.org

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Computer #Virus Catalog - illustrated guide to the worst viruses in computer history by Bas van de Poel

Computer #Virus Catalog - illustrated guide to the worst viruses in computer history by Bas van de Poel | Digital MediaArts Numériques | Scoop.it

They steal our files, corrupt our hard drives and destroy our lives. We scan. We block. Do everything we can to prevent infection. Computer viruses. We hate 'em. Nevertheless, we remain fascinated by their evil plots. This fascination led to a new kind of art collection - Computer Virus Catalog. The worst viruses in computer history interpreted by artists around the world.

* Founded & curated by Bas van de Poel

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World Wilder Lab - environment, nature, living organisms, technology, data, science...

World Wilder Lab - environment, nature, living organisms, technology, data, science... | Digital MediaArts Numériques | Scoop.it

“World Wilder Lab” has been set up by three artists: Kasia Molga, Ivan Henriques and Erik Overmeire who share the same passion for environment, nature, living organisms, technology, data, science and most importantly combine all of that together through art. At the moment we are busy creating a device which will be affordable, open source and open hardware and which let anyone to “listen” to what their plants have to say.

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SUPER IMPORTANT TWEET - GIVE YOUR TWEETS THE ATTENTION THEY DESERVE

SUPER IMPORTANT TWEET - GIVE YOUR TWEETS THE ATTENTION THEY DESERVE | Digital MediaArts Numériques | Scoop.it

Made By Ramin, Moises, Tom & Qanta

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Online piracy will no longer be a criminal offence in the UK

Online piracy will no longer be a criminal offence in the UK | Digital MediaArts Numériques | Scoop.it
The British government has now decriminialised the piracy of films, music and games - meaning that users caught downloading and sharing pirated material will no longer be fined or prosecuted.
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#ArtCall for Works – CAPTURE ALL - transmediale 2015

#ArtCall for Works – CAPTURE ALL - transmediale 2015 | Digital MediaArts Numériques | Scoop.it

transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture and technology.


transmediale 2015 will take place from January 28 to February 1 at the Haus der Kulturen der Welt, Berlin. The programme will feature a diversity of different types of work in a thematic exhibition as well as film and video screenings, workshops, performances, and a conference programme. transmediale is always interested in works exploring our complex relation to technology, be it through new or old media.

  1.  

In a society ruled by algorithms, data is always at play. The drive towards the quantification of everything means that we are all contributing to a state of permanent capture of life into data. As citizens, workers and players of networks we (often involuntarily) double as sensors for bodies of global data collection, working for the potential extraction of value everywhere and increasing the productivity of everyday life. If work and leisure became mathematically manageable data units for the assembly line production model of industrial capitalism, today’s workers even offer their free time to the extent that it serves as a form of unaware labour facilitated by playful technologies and game-like mechanics. Are there still modes of being that resist the imperative of digital capitalism to CAPTURE ALL or is there no option but to play along? If so, are there artistic strategies and speculative approaches that do not play this game of quantification by the numbers? What are the blind spots and gaps of relentless quantification and gamification that can be exploited in order to carve out new ways of living?

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Soundry - interest in making listening practices and sonic ideas flourish - #soundart

Soundry - interest in making listening practices and sonic ideas flourish - #soundart | Digital MediaArts Numériques | Scoop.it

Soundry was created around a shared interest in making listening practices and sonic ideas flourish.


We publish existing work and help artists to create new work with the aim of offering sounds that enrich and transform ways of listening to the humdrum of everyday life.


We are eager to meet imaginative people, from all sorts of disciplines, with whom to explore ideas through and about listening, music, and sharing sounds.

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DI 2014 - the First International Scientific and Interdisciplinary Conference dedicated to digital society and cultures

DI 2014 - the First International Scientific and Interdisciplinary Conference dedicated to digital society and cultures | Digital MediaArts Numériques | Scoop.it
The main objective of #di2014 is to bring together researchers, practitioners and students from a large variety of fields and to provide them with the opportunity to share their visions and research achievements as well establish worldwide cooperative research and developpement.Areas of research include but are not limited to: Data, Social Web, Digital Humanities, Digital Identity, The commons, Digital Art, Smart Cities, Media and Digital Cultures, Human-Computer Interface, Digital Literature, Digital Literacy, Computational Thinking, Secutity, Safety and Privacy, e-Learning, Business intelligence.The mindset of #di2014 is unique in bringing these disciplines together in creative and critical dialogs. We broadly invite contributions that describe original research, analysis, practices, and works-in-progress in all areas of Digital Cultures.#di2014 will be organized jointly with Scopitone, the major French digital arts and music festival (Sept. 16-21, 2014).
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SoundWays, menées par le collectif MU - l’appli qui transforme le paysage en son

SoundWays, menées par le collectif MU - l’appli qui transforme le paysage en son | Digital MediaArts Numériques | Scoop.it
Parmi les différentes formes d’écoute proposées par Bande Originale le long du canal de l’Ourcq, la plus technologique, c’est l’application SoundWays pour téléphones portables. Une expérimentation audio géolocalisée à partir de bulles sonores.


SoundWays est le fruit de plusieurs années de recherche et d’expérimentation menées par le collectif MU, sur le rapport intime qu’entretient le son avec son environnement. Concrétisé sous forme d’une application mobile réalisée pour Futur en Seine 2014, SoundWays s’utilise en parallèle des parcours sonores de Bande Originale.


Philip Griffiths, alias WPMG, en est le principal instigateur. « Le système de base du parcours sonore, explique-t-il, c’est Sound Drop, une “goutte de son” qui correspond à un point d’écoute, précisément géolocalisé. On l’avait développé il y a quelques temps et c’est à partir de là qu’est née l’idée de SoundWays. On a placé au préalable un GPS et fait en sorte que, grâce à des coordonnées, le son se déclenche spontanément. »

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Light Barrier, 2014 - by by Elliot Woods & Mimi Son (Kimchi and Chips)

Kimchi and Chips create phantoms of light in the air, crossing millions of calibrated beams with their work Light Barrier, 2014. The light installation creates floating graphic objects which animate through space as they do through time.


A fascination with natural light drove the technique of the impressionist painters, they explored new qualities of colour and the trail of time. Kimchi and Chips' study of digital light discusses a new visual mechanic, their installation adding to the visual language of space and light. As the artist's inquiry deepens, brush strokes become descriptive like code, detailing reality and allying light with canvas.



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#ArtCall - Rhizome's 2014-15 Support for Artists: Announcing New Microgrants and Commissions

#ArtCall - Rhizome's 2014-15 Support for Artists: Announcing New Microgrants and Commissions | Digital MediaArts Numériques | Scoop.it
A guide to our 2014-2015 commissions process.


Rhizome supports the creation of significant new art through commissions and direct funding for artists. These works may take various forms and scales, but are tied together by their considered illumination of contemporary digital culture.

Today, I outline our vision for awarding money to artists in 2014-15, focusing on three new initiatives with funding totaling nearly $40,000. ...

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#Call - Improve Pirate Bay founder Peter Sunde's prison conditions immediately

#Call - Improve Pirate Bay founder Peter Sunde's prison conditions immediately | Digital MediaArts Numériques | Scoop.it
"I am suffering tremendously – socially, physically, as well as psychologically – by the shortcomings of [the prison,] Västervik." ~ Peter Sunde, aka Brokep

Peter is most famous as Brokep, co-founder and spokesperson of the Pirate Bay. But his impact extends far beyond file-sharing. He also worked tirelessly to support creators through the payment system/social site, Flattr, and is bringing encrypted messaging to the masses through the app, Hemlis.

But now he is suffering in the restrictive conditions of Västervik prison, poorly suited to a non-violent ...
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Fées d'hiver - Centre d'arts numériques - arts vivants - art contemporain

Fées d'hiver - Centre d'arts numériques - arts vivants - art contemporain | Digital MediaArts Numériques | Scoop.it

Fées d’hiver est un espace de création en Arts Numériques, co-géré par des artistes (plasticiens, musiciens, compagnies de spectacles vivants, acteurs, danseurs, scénographes, metteurs en scène, circassiens, performeurs, informaticiens...) sur des principes de coopération et de mutualisation pour produire ensemble des oeuvres qui comportent une écriture résolument contemporaine et novatrice. Son fonctionnement vise la création, la production et la diffusion d'oeuvres, d'événements, d'actions pédagogiques et la recherche d'un nouveau modèle économique.

Ces artistes partagent, au sein du LABo des Fées, la pratique d'un nouveau médium d'expression autour des nouvelles technologiques numériques et produisent des installations plastiques interactives et des objets intelligents au service du spectacle vivant : danse, théâtre, musique, arts du cirque et de la rue.  Ils expérimentent des voies nouvelles dans l’écriture artistique. Le LABo développe des outils de gestion et captation du geste en temps réel générant des événements visuels, sonores ou mécaniques. Cette recherche permet de créer des installations (dotées d’une conscience et capables d’adopter un comportement), dans lesquelles évoluent des publics ou des artistes.

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#Moments in #Place - by Kirk Woolford - #Virtual #performances. Brighton Digital Festival

#Moments in #Place - by Kirk Woolford - #Virtual #performances. Brighton Digital Festival | Digital MediaArts Numériques | Scoop.it


Moments in Place is a series of site-specific virtual performances, created for the Brighton Digital Festival, inviting visitors to consider movement qualities of different locations in the city of Brighton as well as the range of artworks in Brighton's streets.

Each of the performances were recorded on site using portable motion capture systems. When phones or tablets are pointed at select urban artworks, a performance is rendered live in 3D allowing the audience to walk around and explore the relationship between the performance and location.

http://www.bhaptic.net/moments

 


Via Xavier Leton
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Xavier Leton's curator insight, July 25, 2:21 AM

Moments in Place is a series of site-specific virtual performances, created for the Brighton Digital Festival, inviting visitors to consider movement qualities of different locations in the city of Brighton as well as the range of artworks in Brighton's streets.


Each of the performances were recorded on site using portable motion capture systems. When phones or tablets are pointed at select urban artworks, a performance is rendered live in 3D allowing the audience to walk around and explore the relationship between the performance and location.

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Russia offers 3.9m roubles for 'research to identify users of Tor'

Russia offers 3.9m roubles for 'research to identify users of Tor' | Digital MediaArts Numériques | Scoop.it
Analysts say tender for research on service that anonymises browsing sends signal to online community amid crackdown on Russian internet


Russia's interior ministry has offered up to 3.9m roubles (£65,000) for research on identifying the users of the anonymous browsing network Tor, raising questions of online freedom amid a broader crackdown on the Russian internet. ...

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en abîme - Writing Sound :::: by Daniela Cascella

en abîme - Writing Sound :::: by Daniela Cascella | Digital MediaArts Numériques | Scoop.it

En abîme first appeared as a book on listening, reading and writing. It mutated in a project where the themes, places, words and sounds of the book branch out into a number of other contexts and formats: readings, recordings, short fiction, pictures, interviews.
It is a way of deconstructing and reassembling the intermittent archival fiction of the book, and of giving space to its multiple voices.
It is a way of evoking the book and the memory of its drifting references.


Different temporalities enhance a sense of having been there and of discovery, every now and every today.


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