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Digital #MediaArt(s) Numérique(s)
Media Arts Watch Lab - www.arts-numeriques.info - laboratoire de veille Arts Numériques - twitter @arts_numeriques - @processing_org - @DigitalArt_be - by @jacquesurbanska
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Le mouvement de l'air /// Compagnie Adrien M / Claire B // #mediart #dance

Recherche en cours. Création le 7 octobre 2015 au Théâtre de L’Archipel, scène nationale de Perpignan.

Un spectacle frontal pour trois danseurs évoluant dans un environnement immersif constitué d’images projetées, générées et animées en direct.


Un spectacle où deux impossibles se trouvent réunis : le corps qui vole, grâce à des dispositifs de suspension et le corps qui rentre dans l’image. Une écriture chorégraphique acrobatique et numérique qui esquisse un langage du corps ouvrant sur d’autres rapports au temps, à l’espace, au monde. Au-delà de la recherche de la prouesse technique, c’est celle d’un onirisme du mouvement et d’une écriture par l’image.

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#Call #ArtCall | Aurora 2015 / #lightart, video, #soundart, #mediaart, #netart, performance

#Call #ArtCall | Aurora 2015 / #lightart, video, #soundart, #mediaart, #netart, performance | Digital #MediaArt(s) Numérique(s) | Scoop.it

Aurora cordially invites all emerging and established artists working with light, video, sound, digital, internet-based work and/or performance to submit proposals for Aurora in 2015: All Together Now. Proposals should explore innovative approaches to a free public art event that transforms the neighborhood of the Dallas Arts District (68 acres/19 city blocks of downtown Dallas, Texas). Buildings become projection screens and streets and parks into elaborate art installations. The proposed artworks should contribute to an immersive exhibition for visitors to experience art in unexpected places, while prompting an experience of awe through sensory disorientation. ...


deadline - June 15, 2015

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Inshadow #festival 2015 by VoArte | OPEN #CALL - Teaser // #mediaart #dance #performing

7º InShadow - International Festival of Video, Performance and Technologies 2015 (EN)

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The submissions for the InShadow Festival 2015 are officially open in the areas of Video Dance, Documentary, Performance, Installation and, also this year, applications in the area of Animation and 1minute Video-Dance.

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Apply and have the chance of winning one of InShadow’s awards and have your work recognized internationally.


deadline : You have until the 31st of May

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Follow your Shadow! _ voarte.com/en/festvoarte/inshadow/candidaturas

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Gray Area Art & Technology - Organization supporting Art & Technology for Social Good #mediaart

Gray Area Art & Technology - Organization supporting Art & Technology for Social Good #mediaart | Digital #MediaArt(s) Numérique(s) | Scoop.it

Our mission is to apply art and technology to create positive social impact through education, civic engagement, and public programs.

We use digital tools to create art and design projects that benefit society. We test and scale projects with high impact potential, teach digital tools to support artists and technologists, and inspire our community by promoting meaningful new work.

We apply the promise and inspiration of digital art to a broader social context. Our programs are transforming cities into creative outlets, applying technology to solve problems, and shaping how art is created and consumed in the digital era.

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Passengers Trailer - a theatrical road movie by Periskop Collective/Egbert Mittelstädt #mediaart

Passengers is a theatrical road movie about a special train trip from Helsinki to Rovaniemi. The ticket collector of the train heading to the polar circle delicately and intricately intervenes in the personal stories of the passengers on board: an Italian man left by his wife, a German war journalist in doubt with her work and a Japanese woman from the Fukushima area in search of a new home. The play is a concert of stories within stories. As long as the train does not reach Rovaniemi, everything seems possible. A performance full of loving absurdity, melancholy and humor, subtly inquiring to which extend we are passengers in or conductors of the run of things. To which extend observers or makers of primary experiences. To which extend altruists or escapees from ourselves. To which extend acceptors or deniers of the multiplicity of perspectives on reality. Passengers is a cross-disciplinary production fusing performing arts, media arts and music. It is staged in a “surround” media space called CineChamber, using panoramic projections and surround sound to create an immersive performing arts experience. ....


http://www.atelier-fuer-medienprojekte.de

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Last #CALL - 404 International Festival of Art & Technology - deadline 15-03-2014 - #mediaart

Last #CALL - 404 International Festival of Art & Technology - deadline 15-03-2014 - #mediaart | Digital #MediaArt(s) Numérique(s) | Scoop.it

“404 International Festival of Art & Technology”, born in Argentina in 2004, is a non-profit organization which main objective is to promote artistic productions that bring together Arts and Technology, generating an environment where the artists can relate with the community.

Over a decade, it has been presented in different countries, such as Italy, Spain, Switzerland, Austria, Belgium, Taiwan, Argentina, and Russia.


“404 Festival””, the oldest festival of New Media in Argentina, launches its 12th open-call destined to artists and researchers from all over the world with the aim to spread and stimulate New Media creations.

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Queer Technologies of the #Selfie: Radical Self-Imaging in the Online Performances of Ann Hirsch and Georges Jacotey

Queer Technologies of the #Selfie: Radical Self-Imaging in the Online Performances of Ann Hirsch and Georges Jacotey | Digital #MediaArt(s) Numérique(s) | Scoop.it

This paper offers a critical framework through which to appreciate contemporary queer performance online. It addresses how bodies come to be shaped in part by culture, particularly by certain techno-ideological forces in the network age, and considers how these forces structure practices of imaging the self. The paper builds to a reading of artworks by Ann Hirsch and Georges Jacotey, to argue that their queer performances work against the production of coded identities conditioned in digital culture.

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#Call - Appel à communications - Colloque « Littérature numérique & Performance » - deadline 31.12.14

#Call - Appel à communications - Colloque « Littérature numérique & Performance » - deadline 31.12.14 | Digital #MediaArt(s) Numérique(s) | Scoop.it

Ce colloque, organisé par l’équipe MARGE (Université Jean Moulin-Lyon 3), le laboratoire Costech (Université de Technologie de Compiègne), l’EnsadLab (École Nationale Supérieure des Arts Décoratifs) et le CEMTI (Université Paris 8) aura lieu les 27 et 28 mai 2015 à la Villa Gillet (Lyon 4ème), dans le cadre des « Assises Internationales du Roman ».


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#ArtCall - NODE15 Forum for Digital Arts / deadline 30.11.14 #Mediaart #digitalart

#ArtCall - NODE15 Forum for Digital Arts / deadline 30.11.14 #Mediaart #digitalart | Digital #MediaArt(s) Numérique(s) | Scoop.it
Open Call For Contributions: This year’s leitmotif 'Wrapped in Code - the future of the informed body' calls for your contribution! We are searching for your proposals and contributions. We seek to find art works, workshops, talks or performances so far and wrongfully unknown. We encourage to ask yourself in which way your contribution integrates into the topic - nevertheless, the call is not limited to it. Deadline is November 30th 2014!
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AquaSonic // by Between Music (with collabaoration of FuturePerfect) - #soundart #mediaart

The Danish music ensemble Between Music approached FuturePerfect to help produce its newest project AquaSonic. Regarded as one of their most ambitious and interdisciplinary works yet, AquaSonic is a visual performance, art installation, and concert for liquid space. Equipped with custom made underwater instruments, four musicians and singers submerge themselves completely in their own individual water tanks, and from these seemingly claustrophobic enclosures produce the most extraordinary music and sound that is both hauntingly melodic and deeply turbulent.  Over the past several years principal artists Laila Skovmand and Robert Karlsson have been working with scientists at the University of Toronto and Arrhus to develop a number of highly peculiar subaqueous instruments including an underwater organ or hydraulophone and an electromagnetic harp. They have also developed a rhythmical waterwheel-like instrument, percussion, and a special technique for singing underwater. The result will be a concert experience out of the ordinary; a deep dive into a compelling visual universe and a new world of sound. It is organic, raw, aesthetic – and deeply original


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A Berlin, l'artiste Dries Verhoeven diffuse ses conversations Grindr sur écrans géants

A Berlin, l'artiste Dries Verhoeven diffuse ses conversations Grindr sur écrans géants | Digital #MediaArt(s) Numérique(s) | Scoop.it

Après de violentes réactions et une plainte, l'installation de Dries Verhoeven, accusé de «viol numérique», a été annulée.


Le profil de Dries Verhoeven a été banni de Grindr. L’artiste néerlandais a mis à mal l’application de drague par géolocalisation destinée à la communauté gay, en dévoilant sur la place publique des échanges privés, glanés là, sans en aviser ses partenaires potentiels.

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FILE SP 2014 #festival – IN THE DIGITAL TRACKING – PROGRAM /// 26.08 > 10.05.2014 #mediaart

FILE SP 2014 #festival – IN THE DIGITAL TRACKING – PROGRAM /// 26.08 > 10.05.2014 #mediaart | Digital #MediaArt(s) Numérique(s) | Scoop.it

The 15th edition of FILE – Electronic Language International Festival in São Paulo takes place this year from August 26 to October 5 at Centro Cultural FIESP – Ruth Cardoso. The festival occupies four spaces in this venue: the Art Gallery, the SESI Digital Art Gallery (building facade), the FIESP Space, and the Mezzanine, besides the pavement of the Consolação, Trianon-Masp, and Brigadeiro subway stations. Participation in all activities is free.

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Nancy Mauro-Flude - resonances and dissonances between performing arts & computer science

Nancy Mauro-Flude - resonances and dissonances between performing arts & computer science | Digital #MediaArt(s) Numérique(s) | Scoop.it

Nancy Mauro-Flude is a Tasmanian performing artist and theorist. Her work explores how we articulate the resonances and dissonances between performing arts and computer science, within the context of the contemporary art. Driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Contributing to developments in performing arts, technology and the public domain, Nancy has collaborated with leading institutions and festivals worldwide and has led numerous cross-disciplinary programmes that examine contemporary society in a digital age.

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drone2000.net critical anticipation of the near future flying systems downgraded... by Nicolas Maigret

The performance Drone-2000 presents a bestiary of autonomous flying systems powered by dysfunctional algorithms that coexist with an audience. This project is symbolically structured around a succession of three digital or electronic civil attacks on drones, evolving both in an empirical and dysfunctional manner; choreographed movements enhanced by the amplified sound of the rotors. This proposal seeks to produce a situation filled with deviant, critical, poetic and absurd anticipation.


more infos here:
drone2000.net

Full Press Kit - HD Images goo.gl/VTJnYO

Interview on We Make Money Not Art
we-make-money-not-art.com/archives/2014/10/drone2000.php


Nicolas Maigret >>> http://peripheriques.free.fr


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i/o/lab Centre for Future Art /// Future Oriented, creative and innovative /// #mediaart

i/o/lab Centre for Future Art /// Future Oriented, creative and innovative /// #mediaart | Digital #MediaArt(s) Numérique(s) | Scoop.it

i/o/lab is an artist-run organization that started in 2001 and since 2005 has been located at Tou Scene. i/o/lab Centre for Future Art is an active advocate for the arts and new technologies in the region. i/o/lab delivers professional artistic projects that have strengthened the center's institutional status, both nationally and internationally. The organization is affiliated with the national network - Production Network for Electronic Arts (PNEK) and has gradually built up a large international network within the field.


The activity of i/o/lab is divided into two parts:

In the public space conveys i/o/lab art that touches new technology and science to the wider public in the region with art projects in the form of exhibitions produced as Article Biennale and Public Art Screens.


i/o/lab works with professional artistic research and development with a focus on art, new technologies and science and contributes as a resource through presentations, activities and as a partner in the field, both nationally and internationally. i/o/lab also contributes as a partner to regional institutions and businesses.


i/o/lab's expertise extends from production to dissemination and knowledge of art in new technology and science. The dimensions of i/o/lab is to provide innovative and artistic projects through creating meeting places between art and research to multiple audiences in the community.


i/o/lab's projects are partly based on the dissemination of art in public spaces.

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The Gray Area #Festival - 21>24.05.2015 / artists & philanthropists to discuss the impact of art & technology on culture

The Gray Area #Festival - 21>24.05.2015 / artists & philanthropists to discuss the impact of art & technology on culture | Digital #MediaArt(s) Numérique(s) | Scoop.it

A conference, performances, workshops, and a large-scale exhibition that gathers artists and philanthropists to discuss the impact of art and technology on culture.


After the successful completion of #ReviveTheGrand campaign, The Gray Area Festival will celebrate the opening of the historic Grand Theater as a Media Arts Center and Cultural Incubator in San Francisco. We welcome festival attendees for two days of conference, two nights of performances, a day of workshops, and an exhibition that extends two weeks past the festival dates.


The conference days will invite 300 thinkers and doers for discussions that uncover art and technology’s impact on culture. During conference nights, the presentation of audio and visual performances will celebrate electronic media with audiences of 800.

Finally on Sunday, 100 people will gather for a day dedicated to a collection of Creative Coding workshops for both beginning and advanced students.

The Gray Area Festival establishes San Francisco’s Grand Theater as an epicenter for forward looking art and technology in civic, educational, and aesthetic practice.

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Human Harp by Di Mainstone - transform suspension bridges into giant harps... #soundart

Human Harp by Di Mainstone - transform suspension bridges into giant harps... #soundart | Digital #MediaArt(s) Numérique(s) | Scoop.it

Human Harp is an instrument that clips to suspension cables, enabling us to hear and play a bridge’s song. Founded by artist Di Mainstone in partnership with Queen Mary University of London, Human Harp is also supported by Arts Council England, Arup, Roundhouse and Sennheiser. Now a global collaboration, Human Harp connects engineers, dancers, designers, musicians and bridge lovers from around the world…


“The Human Harp performances at the Roundhouse were both beautiful and engaging, inspiring our visitors young and old” Rachel Nelken, Senior Producer, Roundhouse

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based on an almost true story (S02) @ iMal (2015) - By Gaëtan Rusquet & Lucille Calmel

WAR ZONE
based on an almost true story. S02
active air & sound performance at iMAL, Brussels, 3rd of March 2015
#S01 remix #ultimate crisis touch #battlefield recording #papers #chaff #drone #laser #towers
By Gaëtan Rusquet & Lucille Calmel
Guest stars: Octavie Piéron & Valentine Siboni
Photo: Laura Pultier

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#Call - Projet de Résidence numérique - bourse de 12 000€ - deadline 28 février 2015 - #mediaart

#Call - Projet de Résidence numérique - bourse de 12 000€ - deadline 28 février 2015 - #mediaart | Digital #MediaArt(s) Numérique(s) | Scoop.it
Les bibliothèques et médiathèques de Moret Seine et loing


Cette résidence numérique offre aux artistes/auteurs des conditions favorables de création originale s'appuyant sur les technologies numériques.


Les projets proposés seront  au carrefour de la littérature, des arts numériques, des arts visuels et sonores. Ils utiliseront les nouveaux supports d'écriture, interrogeront les processus narratifs et  bousculeront les parcours de lecture et d'écriture. 


 Il s’agit d’une résidence de création et de médiation impliquant une présence forte sur le territoire. Le programme sera construit conjointement entre la CCMSL et les auteurs/artiste.


Les candidats se verront attribuer une bourse de  12 000€ au total (quel que soit le nombre de personnes)...

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Composting Performance : by shu Lea Cheang

This is "compostingperformance-tm2013-720


COMPOSTING THE NET examines the parallelprocess of fermentation and deterioration of our daily foodconsumption extra and our shared digital commons -  the discardedfood scrapes reinvested;  the immaterial wealth/junk of net datarecovered. The food scraps thrown onto a compost heap are layered andmingled until all traces of identities erased. On the net, theabundance of info-data sinks into oblivion with tags attached.  WhileBerlin city boasts itself ECO-BIO-CHIC, it maintains anot-so-successful food waste bin system which the urbanites seldomutilize. During August 22 - 24 project launch at  Kunstraum Kreuzberg/Bethanien, Berlin, COMPOSTING THE CITY calls for Berliners to'ADOPT-A-COMPOSTER" (a la ADOPT-A-HIGHWAY). 12 composting units whereworms and sensors live off and check in on the maturing of rottenmakeover are to be adopted, claimed, maintained and blogged for the 6month cycle.


http://dm.ncl.ac.uk/tikul/2013/03/10/transmediale-composting-perfromance-doc

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From plastic surgery to public meltdowns amalia ulman is turning instagram into performance art

From plastic surgery to public meltdowns amalia ulman is turning instagram into performance art | Digital #MediaArt(s) Numérique(s) | Scoop.it
Artist Amalia Ulman subverts the role of the female artist by turning life on social media into performance art, creating intricate stories that reveal how we view women online.


All sorts of things happen in accidents. After his car crashed into a ditch on the outskirts of Milan in 1909 Italian poet Filippo Tommaso Marinetti wrote the Futurist Manifesto. Frida Kahlo was never the same after she was almost killed in a bus collision in downtown Mexico City in 1925 aged only 18. And after he wrote off his Lexus on the highway leading to the W Hotel in Los Angeles in 2002, Kanye West went into the studio with his mouth wired shut and recorded a song that would change his career forever. ....

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L-EST - Laboratoire Européen Spectacle Vivant et Transmédia en préfiguration

L-EST - Laboratoire Européen Spectacle Vivant et Transmédia en préfiguration | Digital #MediaArt(s) Numérique(s) | Scoop.it

Désireux de faire émerger un projet ouvert et innovant dédié aux écritures scéniques contemporaines, le Centre Chorégraphique National de Franche-Comté à Belfort, MA scène nationale - Pays de Montbéliard et le Granit scène nationale de Belfort créent un laboratoire partagé. Un espace transdisciplinaire de confrontation, d’expérimentation, de défrichage et de création à dimension européenne autour d’artistes, de chercheurs, d’ingénieurs, de programmeurs, d’acteurs de la création et de la recherche… articulant spectacle vivant et transmédia.


Cette association est renforcée par la mise en place d’une Société en Participation (SEP) plaçant le projet sous le signe de la concertation et de la mutualisation. Poursuivant des missions complémentaires de création, de production et de programmation, les trois partenaires bénéficient d’une riche expérience d’accompagnement artistique et d’équipements adéquats.



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Némo, biennale internationale des arts contemporains numériques - 10.2015 >> 01.2016 - Teaser

Le festival Némo devient la Biennale internationale des arts contemporains numériques - Paris / Île-de-France.


D'octobre 2015 à janvier 2016, dans environ 30 lieux partenaires à Paris et en Île-de-France, seront proposés arts contemporains numériques, installations, expositions, spectacle vivant technologique, performances audiovisuelles, concerts, musiques exploratoires, workshops et rencontres professionnelles.

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13 > 17.10 - Madeleines-skinstrap - dualskin-casserole -Thomas Israël / Balsamine / Quinzaine Numérique 2014

13 > 17.10 - Madeleines-skinstrap - dualskin-casserole -Thomas Israël / Balsamine / Quinzaine Numérique 2014 | Digital #MediaArt(s) Numérique(s) | Scoop.it

Dans la performance Skinstrap, Thomas Israël utilise son corps comme écran afin de nous raconter une histoire universelle de la couleur, suivi d'une autofiction à même la peau. Les thématiques chères à l'artiste — telles que la mémoire du corps, l'inconscient, le rapport au temps — sont traitées avec poésie dans un dispositif unique en son genre. Se plaçant dans la longue histoire artistique de « l'homme paysage » et des paysages anthropomor­phiques, il la fait évoluer et en joue, grâce aux techniques actuelles de body-mapping interactif.

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Fées d'hiver - Centre d'arts numériques - arts vivants - art contemporain

Fées d'hiver - Centre d'arts numériques - arts vivants - art contemporain | Digital #MediaArt(s) Numérique(s) | Scoop.it

Fées d’hiver est un espace de création en Arts Numériques, co-géré par des artistes (plasticiens, musiciens, compagnies de spectacles vivants, acteurs, danseurs, scénographes, metteurs en scène, circassiens, performeurs, informaticiens...) sur des principes de coopération et de mutualisation pour produire ensemble des oeuvres qui comportent une écriture résolument contemporaine et novatrice. Son fonctionnement vise la création, la production et la diffusion d'oeuvres, d'événements, d'actions pédagogiques et la recherche d'un nouveau modèle économique.

Ces artistes partagent, au sein du LABo des Fées, la pratique d'un nouveau médium d'expression autour des nouvelles technologiques numériques et produisent des installations plastiques interactives et des objets intelligents au service du spectacle vivant : danse, théâtre, musique, arts du cirque et de la rue.  Ils expérimentent des voies nouvelles dans l’écriture artistique. Le LABo développe des outils de gestion et captation du geste en temps réel générant des événements visuels, sonores ou mécaniques. Cette recherche permet de créer des installations (dotées d’une conscience et capables d’adopter un comportement), dans lesquelles évoluent des publics ou des artistes.

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