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Y a-t-il des « faux » en art numérique ? Quatre acteurs du milieu répondent

Y a-t-il des « faux » en art numérique ? Quatre acteurs du milieu répondent | art move | Scoop.it

 L’Histoire de l’Art regorge de faussaires, mais existe-t-il des faux dans les pratiques digitales faites de copier-coller créatifs, de travaux collaboratifs et d'œuvres in-finies ? Nous avons sollicité 4 intervenants qui, s'interrogeant sur le fake, pointent des caractéristiques propres aux arts numériques.


Via association concert urbain, Aurélien BADET
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Pascale_Masson's curator insight, February 4, 2013 2:45 PM

partagé via @paperliacu

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Art, Technology & Society
Curated by Elise Atangana
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Fighting for the future with the digital healing + survivalism of NTU collective’s Ubulawu at London’s Auto Italia

Fighting for the future with the digital healing + survivalism of NTU collective’s Ubulawu at London’s Auto Italia | art move | Scoop.it
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Elise Atangana's insight:
Review - NTU's 'Ubulawu' was on at Auto Italia, Apr 29 - Jun 11, 2017
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Twenty-Eight Minutes Inside by Ferdinand Makouvia

28 Minutes Inside, 2015 - performance, extrait video,  8min17

Elise Atangana's insight:
Video !
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The new age of ceramics blurs the lines between art and craft - The Globe and Mail

The new age of ceramics blurs the lines between art and craft - The Globe and Mail | art move | Scoop.it
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Elise Atangana's insight:
In the world of ceramics, there has been a curious – and compelling – blurring of lines between art and craft. While contemporary artists embrace the medium and play with form, artisans are elevating everyday items to objets d’art. (Archive)
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“We Come Bearing Gifts”—iLiana Fokianaki and Yanis Varoufakis on Documenta 14 Athens | Art Agenda

“We Come Bearing Gifts”—iLiana Fokianaki and Yanis Varoufakis on Documenta 14 Athens | Art Agenda | art move | Scoop.it
Poster in Athens, Spring 2017.
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07/06/2017 : Bill Viola, le pionnier de l'art vidéo, exposé au Musée Guggenheim de Bilbao - RTBF

07/06/2017 : Bill Viola, le pionnier de l'art vidéo, exposé au Musée Guggenheim de Bilbao - RTBF | art move | Scoop.it

La chambre de Catherine (Catherine's Room), 2001 Polyptique vidéo couleurs sur cinq écrans plats LCD ; 18 min 39 s Performeur : Weba Garretson Courtoisie Bill Viola Studio - © Bill Viola Photo : Kira perov

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NTU: UBULAWU // Collaborative Transcontinental Healing Practices in East London’s Auto Italia - Bubblegumclub

NTU: UBULAWU // Collaborative Transcontinental Healing Practices in East London’s Auto Italia - Bubblegumclub | art move | Scoop.it

Auto Italia, Auto Italia LIVE: Double Dip Concession, 2012, live broadcast from the ICA, London, as part of the exhibition ‘Remote Control’. Photograph: Ryan McNamara

Elise Atangana's insight:
Mounds of earth erupt from a soft slate coloured screed floor. Soil cocoons containing rectangular white boxes pepper the project space. Informative posters hang vertically off the walls, divulging details about Ubulawu – a collection of plants traditionally used in South African spiritual practice. The exhibition explores an Afrocentric approach to decolonial healing through ancient systems, disseminated through the digital. A combination of sculptural pieces, video installation and symbolic imagery prompt potential prophetic dreamscapes. Channels for interdimensional communication are activated throughout the art-space.
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Le Cameroun a sa première galerie d’art contemporain

Le Cameroun a sa première galerie d’art contemporain | art move | Scoop.it

Elle a été inaugurée le 30 mai dernier à Yaoundé

Elise Atangana's insight:
La première galerie d’art contemporain de la ville de Yaoundé
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Art, Technology, and Humanism - Journal #82 May 2017 - e-flux

Art, Technology, and Humanism - Journal #82 May 2017 - e-flux | art move | Scoop.it
A 3-D model of a hammer rendered from below.
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Le SHED, Centre d'art contemporain de Normandie | Centre national des arts plastiques - Suite et fin EXPOSITION DE FAYÇAL BAGHRICHE

Le SHED, Centre d'art contemporain de Normandie | Centre national des arts plastiques - Suite et fin EXPOSITION DE FAYÇAL BAGHRICHE | art move | Scoop.it
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Elise Atangana's insight:
A VOIR ! Suite et fin EXPOSITION DE FAYÇAL BAGHRICHE - Exposition 21 mai • 15 juillet 2017 - Le SHED, Centre d'art contemporain de Normandie
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Black presences at the Venice Biennale

Black presences at the Venice Biennale | art move | Scoop.it
Abdoulaye Konate's joyful homage to Brazil acknowledges the significance of both football and Catholicism for the country, but also gently mocks these obsessions, writes Jayawardane [Getty Images]
Elise Atangana's insight:
African art might not have had the money to book fancy pavilions but it left a powerful mark on the Venice Biennale.
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May 2017 Opinion JJ Charlesworth Documenta / Opinion / ArtReview

May 2017 Opinion JJ Charlesworth Documenta / Opinion / ArtReview | art move | Scoop.it

That particular elephant in the room of Documenta should be evidence enough that ‘large international exhibitions’ are not good places to pretend to do politics, since the autocracy of such institutions is by definition incapable of accommodating the democratic participation of local art scenes artists or publics, of truly representing and experiences of those they claim to engage with. 

Elise Atangana's insight:
J.J. Charlesworth argues that Documenta’s top-down structure echoes Greece’s fraught relationship with the EU. Via Moses Serubiri 
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Driftwood, or how we surfaced through currents – Fondazione Prada

Driftwood, or how we surfaced through currents – Fondazione Prada | art move | Scoop.it
Larry Achiampong, Untitled, 2017.
Elise Atangana's insight:
“On the economical, political and cultural axes inherent to our society, we formulate our ethical choices, blind to our own double standards. Living in a globalized society means that large geographical distances can be crossed virtually and with ease. Nevertheless, such distances ensure a detached, dehumanised outlook, and consequently encourage the willful neglect of the other as we go about securing our own immediate comfort.”
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2017 Venice Biennale: Artist Moataz Nasr’s The Mountain is a window to Egypt | The National

2017 Venice Biennale: Artist Moataz Nasr’s The Mountain is a window to Egypt | The National | art move | Scoop.it
In the second instalment of the At the Venice Biennale series, David D’Arcy takes a look at the Egyptian pavilion, which features the politically inspired short film by artist Moataz Nasr.
Elise Atangana's insight:
In the second instalment of the At the Venice Biennale series, David D’Arcy takes a look at the Egyptian pavilion, which features the politically inspired short film by artist Moataz Nasr.
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Illuminating Details from Frank Lloyd Wright’s Guggenheim Blueprints

Illuminating Details from Frank Lloyd Wright’s Guggenheim Blueprints | art move | Scoop.it
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Elise Atangana's insight:
Documents in the Guggenheim Museum Archives reveal architectural elements that once appeared in Frank Lloyd Wright’s design.
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Arthur Jafa: Love Is The Message, The Message Is Death

Arthur Jafa: Love Is The Message, The Message Is Death | art move | Scoop.it
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Elise Atangana's insight:
Love Is The Message, The Message Is Death is a new video by artist, director, and award-winning cinematographer Arthur Jafa.
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'Zaire 74' legendary music festival now available!

'Zaire 74' legendary music festival now available! | art move | Scoop.it
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Elise Atangana's insight:
Magic moments extracted from the Zaire 74 music festival have just surfaced on album for the first time since it took place in Kinshasa 43 years ago. Franco, Tabu Ley, Makeba, Abeti… they all were recorded during these three crazy nights that announced the famous Ali vs Foreman boxing fight. Back to Kinshasa, Zaire, 1974.
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Exhibitions - La Chose / The Thing - CENTRE D'ART CONTEMPORAIN LA SYNAGOGUE DE DELME

Exhibitions - La Chose / The Thing - CENTRE D'ART CONTEMPORAIN LA SYNAGOGUE DE DELME | art move | Scoop.it
With : Adam Avikainen, Eva Barto, Mihut Boscu Kafchin, Miriam Cahn, Giorgio Andreotta Calò, Eugenio Dittborn, Meiro Koizumi, Jean-Lu
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archive
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Viva Africa Viva? | Contemporary And

Viva Africa Viva? | Contemporary And | art move | Scoop.it

EJ Hill, An Arrangement of Perpetuities, 2017

Elise Atangana's insight:
Does the label “African” at events like the Venice Biennale finally expire?
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Hommage: Stanley Greene en 20 images – Polka Magazine

Hommage: Stanley Greene en 20 images – Polka Magazine | art move | Scoop.it
La Nouvelle-Orléans, Louisiane, Etats-Unis, 2006 série Katrina. © Stanley Greene / Noor / Courtesy Polka Galerie.
Elise Atangana's insight:
Retour sur 20 images iconiques d'une longue carrière qui l'a mené des scènes rock aux terrains de guerre.
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“Social Media is Killing Art” debate at Art Basel in Hong Kong 2017 – summary | Art Radar

“Social Media is Killing Art” debate at Art Basel in Hong Kong 2017 – summary | Art Radar | art move | Scoop.it

“Social Media is Killing Art” presented in conjunction with Art Basel in Hong Kong on Thursday 23 March 2017. Image courtesy Intelligence Squared

Elise Atangana's insight:
Does social media reduce art to a commodity? Or is it a democratic platform that facilitates a disruption of old ways of thinking?
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A Poetic Sharjah Biennial for a World in Turmoil

A Poetic Sharjah Biennial for a World in Turmoil | art move | Scoop.it
Abdelkader Benchamma, “Neither the sky nor the earth” (2017), site-specific installation, ink and felt pen on wall, dimensions variable (courtesy of Gallery Isabelle Van den Eynde, Dubai, and Galerie du jour agnes b, Paris)
Elise Atangana's insight:
Tamawuj, the 13th biennial organized by the Sharjah Art Foundation, is generous and speculative, unfolding into something almost hopeful.
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Voodoo and the Work of Zora Neale Hurston | JSTOR Daily

Voodoo and the Work of Zora Neale Hurston | JSTOR Daily | art move | Scoop.it
Zora Neale Hurston, photographed by Carl Van Vechten in 1938
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Gabi Ngcobo
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Yinka Shonibare and David Adjaye, Series 1, Only Artists - BBC Radio 4

Yinka Shonibare and David Adjaye, Series 1, Only Artists - BBC Radio 4 | art move | Scoop.it
Chi-chi Nwanoku and Yinka Shonibare
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