Ernest Pignon Ernest: "Ecstasies", 2010, the Museum of Art and History of Saint-Denis
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The three-dimensional artistic works. I am at: http://pinterest.com/alternativew/installation-art-sculpture/
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« Garden of Eden » by Wollle (Thorsten Kiesl et Harald Moser), 2007, installation focus on the problem of air pollution, Ars Electronica Festival, Linz, Austria
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Antoni Tapiès (1923-2012): "Rinzen", installation, 1992-93, MACBA Delete the scoop?
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Antoni Tapies (1923-2012): "Cloud and chair", Tapies Foundation, Barcelone
http://www.fundaciotapies.org/site/spip.php?rubrique73
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UNESCO spiral by Alexander Calder (1898-1976), mobil sculpture
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“Hello, Girls” painted metal mobile sculpture in a pond 1964 by Alexander Calder (1898-1976), Los Angeles County Museum of Art
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Alexander Calder (1898-1976): " The Tree", 1966, mobil sculpture, painted steel, 520 x 1070 cm, Fondation Beyeler, Riehen/Bâle, Swiss
http://en.wikipedia.org/wiki/Alexander_Calder
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Japanese artist Nobuhiro Nakanishi's Layer Drawings series continues to explore time, space, and memory by exhibiting the gradation of the sky and varied environments as layered installations.
Nobuhiro Nakanishi: Layer drawing - Light of forest,
inkjet print on film, acrylic plastic, (30 sheets) 28.5 x 198 x 31 cm, ed.3, 2013
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Allan Kaprow made his first public happening, Communication in April 1958 on an American university campus. Except that at the time nobody knows what is happening, including Allan Kaprow who do theorize that shortly after, always in spring 1958, in the journalAnthologist, where he published the article: "Something to take place: a happening. "
Artist and academic Alla Kaprow revisit throughout his career Environments, Actions and Happenings he created. These are read in light of this: "I am interested in this continuity, so it is not a reinvention and reconstruction. Using a metaphor or a material that I remember, I invented new work in relation to the current circumstances. "(Mac Allan Kaprow in Lyon, works entered the collection in 1996 and 1998, 2010 .)
Today to 40 years of LCdr 40 tonnes of tires are dumped into the nave of the CAPC. Yard and "reinvented".
Environment cult American artist Allan Kaprow, Yard knows his first intrusion into the courtyard of the Martha Jackson Gallery in New York in 1961, success.
Via Philippe Lejeune
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As part of the 2013 Venice Art Biennale, Chinese artist Ai WeiWei has created a new installation made of 886 three-legged wooden stools produced by traditional chinese craftsmen. The piece titled "Bang" is inspired by the artistic and cultural traditions of China, where every family had at least one stool, which served all sorts of domestic purposes and was passed on from generation to generation. Here the single stool can be seen as a metaphor for "the individual and its relation to an overarching and excessive system in a postmodern world developing at lightning speed."
Via Jean Francois Diord
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Jerzy Bereś ( 1930 - 2012): Living Monument "ARENA", Wrocław, Poland, 1970
http://en.wikipedia.org/wiki/Jerzy_Bere%C5%9B
Two semicircles - one planted young trees, the second - a monument of destruction - the tree roots showing up.
On the middle the bench to contemplate the truth about man, the truth about the consequences of the development of our civilization.
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Alexander Calder: "Horizontal" from "stabile-mobiles" cycle, 1974, mobil sculpture, Centre Pompidou, Paris
http://en.wikipedia.org/wiki/Alexander_Calder
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Alexander Calder (1898-1976): "Southern Cross", painted steel, stabile dimension: 730 x 400 x 400 cm, dimensions of four cardinal points: 280 x 235 x 90, development of mobil: 900 to 1400 cm,; LAM park, Villeneuve d’Ascq, the Museum of Modern Art, Lille
http://en.wikipedia.org/wiki/Alexander_Calder
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Ludwika Ogorzelec: "Paradise tree" from "Instruments of equilibrium" cycle 2012, 4m high, mobil sculpture, steel and glass, private collection, Poland
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Alexander Calder (1898-1976): hanging mobil
http://en.wikipedia.org/wiki/Alexander_Calder
“People think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.” –Alexander Calder
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Chinese artist Liu Bolin tackles international approaches to arms and weapon control in his new work 'Gun Rack'.
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Nari Ward: “Bottle Messenger”, 2007, Grand Duke Jean Museum of Modern Art in Luxembourg
http://www.nariwardstudio.com/
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Giuseppe Penone, Château de Versailles, exhibition from June 11 to October 30, 2013
http://artsplastiquesmaupassant.blogspot.fr/2010/07/giuseppe-penone-et-larbre-des-voyelles.html
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Throughout his almost 50-year-long career, Daniel Buren is best known for his use of contrasting stripes as a visual tool that reveals the specific features and dimensions of a site, often transforming the environment for which it was specifically designed. He alters the perception and context of one’s surroundings by modifying the navigation of space, enhancing lighting, obstructing viewpoints, and highlighting certain architectural features. Buren installs his work—much of which is temporary—in the architecture of both public and private spaces ranging from subway platforms to prestigious museums.
Work in situ- “denotes a work made for a particular site, for a particular time and exhibited in this particular site, and therefore not transportable to another place.” Buren has also identified himself as an artist who “lives and works in situ."
Situated work- “a work for the most part inspired by a particular location, but made with the intention that the very same elements of the original work can be reinstalled in different sites following a series of rules, changing each time in response to the given place. In turn, the site is changed by the work.”
Via Philippe Lejeune
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Intervista con Kimsooja alla 55. Esposizione Internazionale d'Arte (partecipazione nazionale della Repubblica di Corea). An interview with Kimsooja at the 55...
Via Xaos
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