The Paradise Room in the Pre-Rapaelite exhibition houses an incredibly imposing and dramatic piece – a ceiling to floor length block printed textile panel; The Cray one of Morris' last designs produced at Merton Abbey from 1884. A resplendent and complex floral repeat, featuring large scale lush blooms reminiscent of peonies set within an intricate background of intertwined foliage and stems.
This ornate piece incorporates the most beautiful palette of pinks, corals and greens with detail in black and yellow and there is almost a hand painted quality to the dyes upon the fabric.



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