«Is Documenta 13 post-human? Three blitzschnell dispatches by Quinn Latimer, Filipa Ramos, and Ana Teixeira Pinto provide very different accounts of this friendly Frankenstein of an exhibition—an “ambitious world of worlds” (Ramos) or “engaged with the world that we (joyfully, sorrowfully, weirdly) inhabit” (Latimer). Rich in animal, vegetal, and other worldly influences, Teixeira Pinto perhaps best surmises the exhibition in...”



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