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Changing states of matter, May 31 – July 28, 2012 Brand New Gallery, Milan

Changing states of matter, May 31 –  July 28,  2012 Brand New Gallery, Milan | arslog | Scoop.it

«The group exhibition Changing states of matter, a show that sets out to reveal the processes behind artistic creation, processes that involve a ‘hypothetical production’ of the real, taken to the extreme limit of sensory experience. Through fragmentation of the initial work, this group of artists probes matter in ways that bring it to light in new forms and guises, giving rise to mysterious worlds obtained by the subversion of traditional artistic techniques. Each of the artists included in this group show has chosen a means of expression on the basis of his or her own experience of tangible matter and private memories. Thus matter becomes a metaphor for the structures of the society and the reality in which we live, and its aggression turns into a practice that can be used to explore the relationship with otherness and the mutual exchange that is constantly going on between people and objects.
Although some of the works presented in this exhibition may seem, in the accepted terms of the history of art, very traditional, the difference comes from subversion of the clichés inherited from and connected with the genre. They lay bare an evident tension between thought and the process of constitution, which makes it possible to conceive a new mode of sculpture that offers a kaleidoscopic vision of indeterminate spaces...»

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Rescooped by arslog from Gilles Deleuze
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J.-M. Pamart, Deleuze et le cinéma

Jean-Michel Pamart, Deleuze et le cinéma Paris : Kimé, 2012. EAN 9782841745838 21,69 EUR Présentation de l'éditeur : Ni critique, ni hagiographique, cette étude se veut généalogique.

 

Elle apprivoise la fulgurance de la pensée du cinéma de Deleuze en explicitant la genèse de sa construction et permet de mieux appréhender les enjeux de cette rencontre paradoxale entre la pensée singulière d’un philosophe et le cinéma, dans son infinie diversité.
Dans une démarche généalogique, ce travail montre comment Deleuze s’approprie de façons différentes les oeuvres de quatre philosophes – Kant, Bergson, Peirce, Spinoza – afin de lui permettre d’avancer dans sa propre philosophie.
A partir d’une rencontre avec le cinéma dans son ensemble, Deleuze prolonge sa réflexion sur l’empirisme transcendantal, reconsidère la question de l’image et des signes, revisite secrètement l’éthique de Spinoza afin de nous proposer une nouvelle éthique, qui ne répond plus à la question "Que peut un corps ?" mais à sa généralisation "Que peut une image ?"...


Via Vincent DUBOIS
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