The street would have been used on a daily basis by some of the most important figures passing between the Roman fortress headquarters, called the Principia, and the Praetorium, which was the nearby living quarters of military commanders.
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This year's Venice Architecture Biennale includes a major project developed by architect and Yale School of Architecture Professor Peter Eisenman. Titled: The Piranesi Variations, this multipart endeavor focuses on Giovanni Battista Piranesi's 1762 Campo Marzio dell'antica Roma, a folio of six etchings that depict his fantastical vision of what ancient Rome might have looked like, derived from years of archaeological and architectural research.
Piranesi's images—precise, specific, yet impossible—have been a source of speculation, inspiration, research, and contention for architects, urban designers, and scholars since their publication 250 years ago.
But why not do it in GOLD!
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The Via Quintana, would have been an informal meeting point for the upper echelons of Roman society, who would have discussed the most pressing matters – as well as the latest gossip – along this short street.