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The folks at Morgan Monroe have introduced a number of new instruments which may be of interest to the bluegrass/acoustic market. They are even giving away one of the new banjo models in July from their Facebook page to help spread the word.
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Springtime in New Orleans means music Tampabay.com In particular, as Mardi Gras recedes in the rearview mirror and April looms large, it's nearly impossible for a fan of American roots music not to ponder a pilgrimage to the Crescent City. Jazzfest . . .
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And here's the rest of the story – from the band's major-label debut, Magic Potion, to the Grammy-winning El Camino.
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Mark Lavengood, reso-guitarist with Lindsay Lou & the Flatbellys, has released a self-titled EP on 7” vinyl. The four tracks on the album cover the two sides of this talented Michigan picker.
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TICKET GIVEAWAY: Greensky Bluegrass @ The Troubadour, LA, CA 3/16/13 Live Music Blog (blog) Rising stars of the bluegrass world Greensky Bluegrass are making a swift return to the LA area after burning it up at a sold-out show at The Mint in November...
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"Tracing the banjo from its West African roots to the New World, I perform musical examples from the 1700's to the present day on a variety of vintage instruments," says Evans. The instruments range from an African ekonting to a mid-19th century minstrel banjo, a modern bluegrass banjo and even an electric banjo.
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Gurf Morlix inhabits "the muddy": the fecund reading room of a library of idioms encompassing folk, country, and blues. Morlix sings in a tone somehow both affectless and mournful, as if a shadow of death had already crept in and half-zombified his emotions. Part of the pleasure in his new album, his first of original songs in three years, derives from the contrast between scenery and focus: the suffusive sadness of the melodies, the stark and rootsy Americana sounds, and the mordant lyrics, set against the insistent hint of a residual innocence in Morlix's broad, flat vocal delivery..
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From the ashes of one of the pivotal harbingers of the late 80′s alt.country movement, Uncle Tupelo, Jay Farrar’s Son Volt has continued to carry the torch of classic country and rock music for seven albums now.
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Lightnin’ rarely strayed from his unique “yin-yang” approach to the blues. He was a country blues guitarist who learned his craft at the feet of fellow Texan Blind Lemon Jefferson, a true master of the form. Yet he spent much of his career on the streets of Houston, often using stream-of-consciousness lyrics to describe tough characters and situations that were familiar to many urban blacks. And whether he sang or spoke those lyrics, his laconic delivery never seemed to soften the menace of his razor-sharp guitar
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Canadian songwriter Lindi Ortega wasn't exactly born into country music, but she can channel her inner Johnny Cash like nobody's business. She's hit her stride on the new album, Cigarettes & Truckstops
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Harris virtually evaporated into art-Americana steam with Hard Bargain. Here, she's reunited with the songwriter Crowell, and, perhaps more decisively, her old producer Brian Ahern. The result is an album of solid country virtue. Rodders was never much of a voice, and Emmylou's ain't what it used to be, but she can still make "wistful" fly like an angel, when conditions suit. Four songs by Crowell, the rest covers, several by her old pedal-steel player, Hank DeVito.
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Colorado singer Otis Taylor mixes 'trance blues' and tough social commentary to focus on the plight of Native Americans, writes Neil Spencer
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Joel Coen sheds some light on “Inside Llewyn Davis,” the Coen brothers’ forthcoming film about a musician trying to make it in the 1960s Greenwich Village folk music scene.
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The photo above appears as part of Visualizing American Roots Music, an exhibit presented by the Southern Folklife Collection of twenty rare and unique photographs of iconic musicians. On view in the Pleasants Family Assembly Room of the Wilson Special Collections Library through Dec. 31, 2013.
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This definitive examination of the roots of America's musical family tree is of monumental importance. It belongs in every music lover's library. 1 1. Henry Lee —Dick Justice 2. Fatal Flower Garden" — Nelstone's Hawaiians 3.
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Arhoolie Records: 50 Years Of Digging For Down-Home Music
For all that time, the same guy has stocked the store with a treasure trove of American roots music: Chris Strachwitz. He produced many of the records filling Down Home's bins. Strachwitz's Arhoolie label has recorded blues singer Big Mama Thornton, Tex-Mex accordionist Flaco Jimenez, Cajun band BeauSoleil and hundreds of others. He bought the building that houses Down Home Music thanks to the money he earned recording a little-known San Francisco folk musician, Country Joe McDonald, in 1966. The session took place in Strachwitz's Berkeley living room.
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For fans of popular folk rock bands such as the Lumineers and Mumford and Sons who are looking to get a little closer to the Americana and bluegrass worlds, the new album from the Abrams Brothers might be just the ticket.
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The first time I heard the name Townes Van Zandt my Uncle Tony mentioned playing a gig with him at a private party on the Tohajiilee Indian Reservationa in New Mexico.
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Hailed as one of rock’s best drummers and one of its greatest voices, Levon Helm’s history proves as exciting as his music. A look at his lively life
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One of the most important acts in the development of American music is The Everly Brothers. Phil and Don Everly had that spirited, "genetic" country harmony sound common to country and bluegrass groups, and they transposed that to rock 'n' roll in the Fifties. Virtually every group in rock, country, and folk music featuring harmonies, from The Beatles to Teenage Fanclub, owes them a debt. The duo of alt-country singer Bonnie "Prince" Billy (aka Will Oldham) and alt-folk doyenne Dawn McCarthy (aka Faun Fables) pay tribute to the Brothers, but not in the usual manner. What the Brothers Sang forgoes the Brothers' hits in favor of lesser-known gems in their catalog, highlighting the Everlys as bridges between rock and country, folk and pop
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Remembering Richard Manuel, who died on March 4, 1986.
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Robert Belfour live with self comment about when he was young. Hypnotic, yet intricate guitar work, expressive voice, perfect timing. The "unknown" artist in...
Via Vivaldi
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The wholesome singer-songwriter from Idaho has always been one to watch: but it's taken divorce to invest something deeper in his mile-wide-smile delivery style.
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John Cohen's photographs of Kentucky musician Roscoe Holcomb evoke a rural way of life that has all but disappeared In 1959, John Cohen, photographer, musician and musicologist, travelled to East Kentucky "to search for old music and to take...
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