En marge de la conférence de rentrée de Radio France, Anne Sérode, la directrice de Fip, a confirmé que ses équipes travaillent actuellement sur le lancement de webradios, les premières du groupe Radio France, hors celle lancée par Mouv'. "On a commencé le travail défrichage" a lancé Anne Sérode.
Grandes manoeuvres sur le marché très embouteillé du streaming musical. L'arrivée tonitruante d'Apple Music n'a pas freiné les ambitions des nouveaux acteurs ni des "historiques", qui se réorganisent pour survivre.
Les deux groupes de grande distribution ont misé sur une offre d'abonnement payant. Si leurs parcs de clients potentiels se comptent en millions, le pari est loin d'être gagné d'avance.
Il faut dire qu'en valeur, le marché du streaming demeure faible, à 72,6 millions d'euros en France l'an dernier. Mais les perspectives sont prometteuses. Après une croissance de 34 % en 2014, « la tendance est supérieure sur les six premiers mois de 2015. A lui seul, le segment du streaming payant a représenté 20 % du marché global de la musique française », souligne Guillaume Leblanc, directeur général du Syndicat national de l'édition phonographique (SNEP)
A vast amount of musical knowledge has been gathered for centuries by musicologists and music enthusiasts. Most of this knowledge is implicitly expressed in artist biographies, reviews, facsimile editions, etc. Music Digital Libraries make this information available and searchable. Documents are indexed and keyword-based search is generally provided. However, implicit knowledge present in text is not understood by machines, so complex queries cannot be answered.
“ Personalization algorithms influence what you’ve chosen yesterday, what you choose today and what you’ll be choosing tomorrow. Simultaneously, there seems to be something wrong with personalization.”
According to MBW analysis of Universal’s recorded music operation (omitting publishing and merchandising), digital income claimed more than 50% of company revenues in the six months to June 30 – outperforming physical sales and licensing combined.
By generating €926m in the period, digital music revenues were up 7.3% year-on-year at constant currency and perimeter.
I have a theory: No Diggity by Blackstreet is timeless. If Frank Sinatra is timeless in 2015, so too is No Diggity in 2050, fondly remembered by our children's children as the icon of the 90s. And I think that I can prove it.
40 million songs, albums and artists available - how nice? Streaming allows you to get a grasp at the biggest music collections in the world. The only thing is that you would need centuries to listen to all of it. Getting access doesn’t mean knowing what to do with it. How are we making music discovery more & more efficient at Deezer?
The BBC recently reported that in the first six of months of 2015, streaming was up 80% over 2014 in the U.K., historically one of the most vibrant music markets. Now that Apple is involved, what had been a roaring river is about to become a flood.
So what's to be done to prevent streaming from turning into a high-tech tsunami wasting the musical landscape? A lot.
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