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Allomusic et Jiwa, c'est peut-être fini

Allomusic et Jiwa, c'est peut-être fini | A Kind Of Music Story | Scoop.it

La société éditrice des sites de streaming Allomusic et Jiwa (repris en juillet 2011 après un rapide passage chez Digiteka) serait en liquidation judiciaire.

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A Kind Of Music Story
Musique digitale, métadonnées et autres applications
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YouTube Music Key launch delayed until September - Music Business Worldwide

YouTube Music Key launch delayed until September - Music Business Worldwide | A Kind Of Music Story | Scoop.it
Beta period extended
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Spotify et Deezer ripostent avant l'offensive d'Apple

Spotify et Deezer ripostent avant l'offensive d'Apple | A Kind Of Music Story | Scoop.it
Le monde du streaming musical est en ébullition. Personnalisation, podcasts, vidéo… Les acteurs du secteur se diversifient face à la menace des géants Google et Apple. 

Via snep, mediathequeArgentanIntercom
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Spotify's dominance of global music streaming revenue laid bare - Music Business Worldwide

Spotify's dominance of global music streaming revenue laid bare - Music Business Worldwide | A Kind Of Music Story | Scoop.it
Streaming service claimed 49% of total subscription revenues, according to MBW analysis
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Rdio Makes A Move To Go After The Squeezed Middle - hypebot

Rdio Makes A Move To Go After The Squeezed Middle - hypebot | A Kind Of Music Story | Scoop.it
Streaming monetization is polarized between premium subscriptions on one end and free streaming on the other. The middle ground that was the scale heartland of the CD and the download is disappearing and taking with it the mainstream consumer. It is into this environment Rdio just announced a new $3.99...
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Rescooped by Jean-Luc Biaulet from CLEMI. Infodoc.Presse : veille sur l'actualité des médias. Centre de documentation du CLEMI
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Les Big Data, une chance pour les médias | Les Echos

Débutée il y a quelques années sur des volumes moins importants, l’exploitation des données à grande échelle devient aujourd’hui...

Via CLEMI - Centre de Liaison de l'Enseignement et des Médias d'Information
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Vivendi ne se contentera pas du rachat de Dailymotion en 2015

Vivendi ne se contentera pas du rachat de Dailymotion en 2015 | A Kind Of Music Story | Scoop.it
Vincent Bolloré a beaucoup parlé vendredi de la plateforme de vidéos que Vivendi va racheter à Orange, lors de l’assemblée générale des actionnaires. Dailymotion doit permettre « aux talents de Vivendi de converger. » L’AG a confirmé les droits de vote doubles qui renforcent le contrôle de l’homme d’affaires breton.
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CD Money vs. Streaming Money, 2004-2014.

CD Money vs. Streaming Money, 2004-2014. | A Kind Of Music Story | Scoop.it
*source: Recording Industry Association of America (RIAA); all revenue inflation-adjusted to 2013.

Via Christophe Peckeu
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Jeremy Silver: 'These are early days
for big data in music'

Jeremy Silver: 'These are early days<br/>for big data in music' | A Kind Of Music Story | Scoop.it
Jeremy Silver discusses the future contribution that big data will make to the music industry

Via Benjamin DEBUSSCHERE
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Music teenagers: 60% are streaming while 21% buy downloads

Music teenagers: 60% are streaming while 21% buy downloads | A Kind Of Music Story | Scoop.it

"Research firm GlobalWebIndex has been tapping its global panel of teenagers to find out what they’re doing online and how they’re getting their digital entertainment".


Via Gwénaëlle Le Moal
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Music Biz Explains ISRC Codes

Music Biz Explains ISRC Codes | A Kind Of Music Story | Scoop.it
Music Biz has released a new infographic titled “Proper Care and Feeding of the ISRC Code”

Via Jean-Robert Bisaillon
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L’écoute de musique en ligne explose outre-Manche

L’écoute de musique en ligne explose outre-Manche | A Kind Of Music Story | Scoop.it

En se basant sur le marché anglais, il indique que: 
1/3 de la population écoute de la musique en ligne
La durée d’écoute moyenne est de 10h par semaine
Les femmes écoutent de la musique en ligne principalement de 17h à 18h, les hommes davantage entre 11h15 et 12h15
L’ordinateur reste le terminal préféré (50%) pour écouter de la musique en ligne
Le volume d’audience de la musique à la demande est passé de 22% en 2013 à 41% en 2014, réalisant un bond de 86% en un an


Via Musiques Actuelles, Printz Patrick, benoitbeoziere
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Radio : -9,8% ; TV : -10,9% ; Presse : -44%... Alerte rouge sur l’économie des médias

Radio : -9,8% ; TV : -10,9% ; Presse : -44%... Alerte rouge sur l’économie des médias | A Kind Of Music Story | Scoop.it

Les chiffres sont d’une rigueur absolue : -27,8% pour les investissements publicitaires sur les « grands médias » (presse, TV, radio, cinéma) entre 2007 et 2014 (et en euros courants). Et encore -23,6% si l’on y intègre les bandeaux sur le Web (le display) et le chiffre d’affaires publicitaire mobile. Mettre en perspective dans la moyenne période les données produites chaque année par l’IREP donne une idée du choc subi par les « industries du contenu » depuis le début de la crise économique.

Tous ne sont évidemment pas logés à la même enseigne : entre 2007 et 2014, le cinéma ne perd « que » 9% (81 M€ en 2014) et la radio 9,8% (à 726 M€). Mais la télévision a abandonné dans le même temps 10,9% (3 222 M€), alors même que 6 nouveaux convives (6ter, HD1, RMC Découverte, L’Equipe21, Numéro23, Chérie 25) ont été conviés en 2012 à partager ce maigre gâteau publicitaire. Et la presse, déjà affectée par le recul de sa diffusion, a vu ses recettes de pub plonger de… 44% (à 2 683 M€), soit plus de 2 Mds€ abandonnés.

Symétriquement, le display a gagné 41,7%, à 652 M€. Mais le gain de reste inférieur en valeur absolue à 200 M€. Et les recettes du mobile demeurent inférieures à 100 M€ malgré l’explosion de son usage.


Via Nicolas Moulard - Actuonda, Vincent Castaignet
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Breaking: $14 Billion Spotify Acquisition Happening Next Week... - Digital Music News

Breaking: $14 Billion Spotify Acquisition Happening Next Week... - Digital Music News | A Kind Of Music Story | Scoop.it
Spotify is preparing to be acquired at a price tag ‘north of $14 billion,’ according to multiple sources now speaking with Digital Music News.  Signatures and...
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Jean-Eric Valli : "la radio profite d'Internet"

Jean-Eric Valli : "la radio profite d'Internet" | A Kind Of Music Story | Scoop.it
La carte de la proximité jouée par les Indés Radios, l'ouverture des espaces publicitaires de Radio France à de nouveaux annonceurs, l'affaire Gallet, la Radio Numérique Terrestre, la stratégie digitale, la concentration... Sur BFM Business, Jean-Eric Valli le président des Indés Radios, a abord...

Via Amandine Viale
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Amandine Viale's curator insight, May 23, 7:31 AM
Jean-Eric Valli le président des Indés Radios a abordé de nombreuses thématiques sur BFM Business.
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Pandora to buy music analytics firm Next Big Sound

Pandora to buy music analytics firm Next Big Sound | A Kind Of Music Story | Scoop.it

Streaming music service Pandora is buying music analytics firm Next Big Sound, for an undisclosed sum. The personal-radio firm announced ...


Via Norbert Schiegl
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Spotify May Cut 'Freemium' to Three Months, Sources Say

Spotify May Cut 'Freemium' to Three Months, Sources Say | A Kind Of Music Story | Scoop.it
Spotify may soon be limiting its free, ad-supported access to just three months, instead of its open-ended, unlimited freemium access plan currently, according to multiple sources...

Via Vincent Castaignet
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Downloads down 12% in UK, albums down 5% - but streaming soars 81%

Downloads down 12% in UK, albums down 5% - but streaming soars 81% | A Kind Of Music Story | Scoop.it

The UK recorded music market saw a painful decline in single-track downloads in the first three months of 2015, but the number of tracks streamed almost doubled.


Via Norbert Schiegl
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Why Metadata Is King Of Content ? Forbes

Why Metadata Is King Of Content ? Forbes | A Kind Of Music Story | Scoop.it
As digital media channels continue to proliferate, companies with a flexible digital asset management strategy will be well positioned to quickly accommodate rapidly changing distribution channels.

 

As rich media content explodes, media companies must build one central organizational mechanism that works the same way across all the content. The key, says Petricola, is metadata—data chunks that describe and categorize digital content to provide better search engine visibility, increased audience engagement, and better-targeted advertising opportunities for online video publishers.

The problem is, not all content has usable metadata, particularly older pieces. “Many companies with large, rich media holdings are faced with the issue of metadata, because it directly affects their ability to quickly search and find content,” Petricola says. “Ten or fifteen years ago, people said that content was king,” he says. “Today I think that metadata is king. If you don’t know what you have, then the millions of hours of content in your archives are essentially useless.”

As a result, many companies are looking to reverse-engineer quality metadata into this older content. Some outsource the job to companies that watch each video and manually add metadata. Others are opting for new technologies that can automatically generate metadata by analyzing video content. “For example, facial recognition technology can identify people in a video and add their names as they recognize their faces,” says Petricola


Via Nicolas Moulard - Actuonda
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Data Mining the Digital Gold Rush: 4 Companies That Get It

Data Mining the Digital Gold Rush: 4 Companies That Get It | A Kind Of Music Story | Scoop.it

For decades, the music business ran largely on instinct: magic ears, gut feelings, weird hunches. Success had a thousand fathers, as well as a certain mystery. Label executives knew a hit when they heard one, and they promoted it until the public agreed -- or not.


Via Norbert Schiegl
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Comment Deezer veut contrer Jay-Z et Apple sur le streaming

Comment Deezer veut contrer Jay-Z et Apple sur le streaming | A Kind Of Music Story | Scoop.it
Rencontre avec le cofondateur du service de streaming musical, Daniel Marhely, qui souhaite faire passer ce mode de consommation de la musique du "truc d’initiés" au grand public.
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Rescooped by Jean-Luc Biaulet from MUSIC:ENTER
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Radio’s Streaming Disruption

Radio’s Streaming Disruption | A Kind Of Music Story | Scoop.it

MIDiA has just published its latest report on the global radio market: Radio’s Streaming Disruption: How Streaming And Smartphones Disrupt Radio Audiences. Here are some highlights from the report. MIDiA clients can get the full report and data sets here. Along with TV, radio is one of the most pervasive media platforms on the planet. It is also still one of the key drivers of music discovery. But things are changing. Historically Radio broadcasters had their audiences protected in the safe confines of dedicated devices and direct competition was thin on the ground. But audiences now have choice and spend progressively more of their entertainment time on multifunction devices.


Via Yvan Boudillet
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Rescooped by Jean-Luc Biaulet from Digital Music
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Apple iTunes Relaunch Could Add 75 Million Paying Streaming Music Subscribers [SURVEY] - hypebot

Apple iTunes Relaunch Could Add 75 Million Paying Streaming Music Subscribers [SURVEY] - hypebot | A Kind Of Music Story | Scoop.it
How strong a competitor will a new iTunes streaming music service embedded within Apple's popular iOS operating system be? Very strong, according to a survey of 1000 consumers. 20% Of Consumers Say They'd Likely Subscribe To An Apple Music Service 20% of US consumers would pay $7.99 for an Apple...

Via Christian Menez
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TEST - Tidal : que vaut le service de streaming musical de Jay-Z ?

TEST - Tidal : que vaut le service de streaming musical de Jay-Z ? | A Kind Of Music Story | Scoop.it
C’est l’événement musical de ce printemps. Le rappeur américain Jay-Z a lancé ce 30 mars en grande pompe son service de streaming musical Tidal. Enfin, plutôt celui qui l’a racheté via le norvégien Aspiro en janvier dernier pour 56 millions de dollars. Tidal était déjà créé à l’époque, mais l’arrivée de Jay-Z à son capital (il en possédait 100 %, mais l’a depuis ouvert à ses amis superstars : sa femme Beyoncé, Jack White, Madonna ou encore Rihanna) a mis un coup d’accélérateur à son développemen

Via Christian Menez
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'Streaming will double the music business by 2020 - and Universal must go it alone'

'Streaming will double the music business by 2020 - and Universal must go it alone' | A Kind Of Music Story | Scoop.it

The global value of the recorded music industry will nearly double over the next five years thanks to the worldwide explosion of streaming - and Universal needs to shake off Vivendi's ownership to take full advantage.


Via Christophe Peckeu, Vincent Castaignet
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