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123PollutionSolution
Chin Chih Yang sees that pollution has become a pervasive part of our lives. Political leaders demonstrated in Copenhagen their refusal to take decisive action for the environment. They performed concern instead of actualizing it, believing change might occur with a simple snap of the fingers, like 1-2-3. As a result of this short sightedness, the onus falls upon citizen artists to develop a collective solution.
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123PollutionSolution
In 123PollutionSolution, Yang addresses society’s efforts to protect itself both physically and psychologically from environmental catastrophe. with status brands or expensive items. Our world is a status symbolism that signals social standing and cultural hegemony. This type of culture is more prone to endanger the environment because of its addiction to consumerism. We are exceeding our global production capacities depleting by taking ones with higher capacities in this area. In order to reduce environmental pollution we must first address and combat the problem of consumerism.
123PollutionSolution
His large-scale 123PollutionSolution 2010 project transforms thousands of used aluminum cans into a colorful landscape with its varied topography. Yang collected discarded cans found in New York City ash cans left by students and parents from a local School. Ubiquitous concavities and hills, slopes and peaks, the installation features cans bunched into various abstract and geometric shapes. The structure represents an otherworldly utopia constructed out of salvaged waste.
This imaginary alien village provides shelter to humans seeking refuge from the earth's pollution. The work satirically draws attention to the refuse generated everyday by the seemingly benign act of consuming a beverage or pre-packaged food product. It also points to the investment in re-building that true change requires. Lights will illuminate the sea of cans and video projections will cement his commentary on conspicuous consumption.
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